The Films of Annemarie Jacir
by Iqra Shagufta Cheema and Stefanie Van de Peer
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
This book offers a transnational, internationalist-feminist approach to the oeuvre of award-winning director, writer, and curator, Annemarie Jacir.
Palestinian film culture is unique due to its geopolitical circumstances, including continued colonialism and occupation, and the refugeeship of its citizens. The scholarship on the politics of film and its role in the Israeli-Palestinian conflict – including activist work, international solidarity films, and work on Palestinian documentaries – is usually defined by historical overviews of geopolitical events and developments. In contrast, this book offers an auteur-focused study of a global artist influenced by but not limited to the political discourse surrounding the Occupied Palestinian Territories.
Jacir is a Palestinian woman whose work is recognised globally as innovative, politically challenging, and genre-crossing. The book offers an in-depth study of her films and other works by locating it in a geospatial, sociocultural, and critical theoretical framework. It critically analyses Annemarie Jacir’s development as an artist, filmmaker, and curator of film.
About the authors:
Iqra Shagufta Cheema is an Assistant Professor in Humanities at Graceland University, Iowa.Stefanie Van de Peer is Reader in Film & Media at Queen Margaret University
Press Reviews:
Cheema and Van de Peer expertly illuminate Annemarie Jacir’s engagement with the complexity of the Palestinian experience as it traverses questions of memory, space and the transnational. The book pays homage to Jacir’s cinematic contribution as film editor, writer, producer and facilitator and perceptively traces the struggles and pleasures involved in the creation of a committed and aesthetically ambitious Palestinian cinema. -- Anastasia Valassopoulos, University of Manchester
This is a well-documented study which offers an intimate vision of the evolution of Jacir’s film oeuvre, and how Palestinian cinema and audio-visual practices can become acts of resistance exposing the incongruous cultural memories of diverse Palestinian generations and their struggles for the homeland, freedom, and transnational identity in exile. -- Ihab Saloul, Author of Catastrophe and Exile in the Modern Palestinian Imagination: Telling Memories
See the publisher website: Edinburgh University Press
See the complete filmography of Annemarie Jacir on the website: IMDB ...
> From the same authors:
The Films of Jocelyne Saab (2023)
Films, Artworks and Cultural Events for the Arab World
Dir. Mathilde Rouxel and Stefanie Van de Peer
Subject: Director > Jocelyne Saab
Animation in the Middle East (2021)
Practice and Aesthetics from Baghdad to Casablanca
Dir. Stefanie Van de Peer
Subject: Countries > Middle East
Negotiating Dissidence (2017)
The Pioneering Women of Arab Documentary
Subject: Countries > Middle East
> On a related topic:
An Atonal Cinema (2025)
Resistance, Counterpoint and Dialogue in Transnational Palestine
Subject: Countries > Middle East
Between Reality and Documentary (2025)
A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film
Subject: Genre > Documentary
Reel Gender (2024)
Palestinian and Israeli Cinema
Dir. Sa'ed Atshan and Katharina Galor
Subject: Countries > Middle East
Representations of Palestine in Egyptian Cinema (2023)
Politics of (In)visibility
Subject: Countries > Middle East
Israel/Palestine (2021)
Border Representations in Literature and Film
by Drew Paul
Subject: Countries > Middle East
The Palestinian Idea (2019)
Film, Media, and the Radical Imagination
by Greg Burris
Subject: Countries > Middle East
Palestinian Cinema (2008)
Landscape, Trauma and Memory
by Nurith Gertz
Subject: Countries > Middle East