MENU   

Mapping Cinematic Norths

International Interpretations in Film and Television

Edited by and

Type
Essays
Subject
Countries
Keywords
nordic, Europe
Publishing date
Publisher
Peter Lang
Collection
New Studies in European Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback300 pages
6 x 8 ¾ inches (15 x 22 cm)
ISBN
978-3-0343-1895-2
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Mapping Cinematic Norths presents an international range of research and enquiry into the significance, representation and manipulation of depictions of the ‘North’ in cinema and television. Northern landscapes, soundscapes, characters and narratives are defined and recognized as distinctive image-spaces within film and television. However, the ‘North’ is portrayed, exploited and interpreted in divergent ways by filmmakers and film audiences worldwide, and this volume sheds new light on these varying perspectives.

Bringing together the work of established and emerging academics as well as practising filmmakers, this collection offers new critical insights into the coalescence of North-ness on screen, exploring examples from Britain, Scandinavia, continental Europe, Australia and the United States. With contextual consideration and close readings, these essays investigate concepts of the North on film from generic, national, aesthetic, theoretical, institutional and archival perspectives, charting and challenging the representations and preconceptions of the idea of North-ness across cultural and cinematic heritages.

About the authors:
Julia Dobson is Reader in Contemporary French Film and Performance at the University of Sheffield. She is the author of Hélène Cixous and the Theatre: The Scene of Writing (2002) and Negotiating the Auteur: Cabrera, Masson, Lvovsky and Vernoux (2012) and an editor of Studies in French Cinema.Jonathan Rayner is Reader in Film Studies in the School of English, University of Sheffield. He is co-editor, with Graeme Harper, of Cinema and Landscape (2010) and Film Landscapes (2013) and author of Contemporary Australian Cinema (2000), The Naval War Film (2007) and The Cinema of Michael Mann (2013).

See the

> From the same authors:

Australian Gothic:A Cinema of Horrors

(2022)

A Cinema of Horrors

by

Subject: Genre >

Filmurbia:Screening the Suburbs

(2017)

Screening the Suburbs

Dir. , and

Subject:

The Cinema of Michael Mann:Vice and Vindication

(2013)

Vice and Vindication

by

Subject: Director >

Negotiating the Auteur:Dominique Cabrera, Noemie Lvovsky, Laetitia Masson and Marion Vernoux

(2012)

Dominique Cabrera, Noemie Lvovsky, Laetitia Masson and Marion Vernoux

by

Subject: Director > , , ,

The Naval War Film:Genre, History and National Cinema

(2007)

Genre, History and National Cinema

by

Subject: Genre >

> On a related topic:

Nordic Genre Film:Small Nation Film Cultures in the Global Marketplace

(2015)

Small Nation Film Cultures in the Global Marketplace

Dir. and

Subject: Countries >

Light in the Dark:A History of Filmmaking in Iceland

(2025)

A History of Filmmaking in Iceland

by

Subject: Countries >

Menacing Environments:Ecohorror in Contemporary Nordic Cinema

(2023)

Ecohorror in Contemporary Nordic Cinema

by

Subject: Countries >

The Politics of Nordsploitation:History, Industry, Audiences

(2022)

History, Industry, Audiences

Dir. and

Subject: Countries >

Beyond Eastern Noir:Reimagining Russia and Eastern Europe in Nordic Cinemas

(2018)

Reimagining Russia and Eastern Europe in Nordic Cinemas

by

Subject: Countries >

16099 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info