The Cinema of Paula Markovitch
Contested Marginality
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
The Cinema of Paula Markovitch investigates the director’s explorations of differently marginalized dwellers and their sensescapes as a vital feature of her oeuvre. By inviting the viewer into the socioemotional layers of homeless sites, hospice-like spaces, assisted-suicide intersubjectivities, and political displacements, Markovitch revitalizes the complexity of the margins in novel and expansive ways. Such dynamically intertwined socioemotional and sensory engagements at and with the margins are conceptualized in the book as contested marginality. This concept refers to the complexly interpersonal and ostensibly unanticipated manifestations of agentic potential through sensory experiences in peripheric sites and circumstances. Such aesthetic considerations of the margins also bring to light fecund modes for broader sociocultural critiques in Markovitch’s films.
À propos de l'auteur :
Inela Selimović is Associate Professor of Spanish in the Spanish and Portuguese Department at Wellesley College. Selimović authored Affective Moments in the Films of Martel, Carri, and Puenzo (2018) and co-edited The Feeling Child: Affect and Politics in Latin American Literature and Film (2018), Inusuales. Hogar, política y sexualidad en el cine hispano (2020), and Encuentros fortuitos en el cine hispano. Agencialidad en conflicto, poder en movimiento (2023).
Voir le site internet de l'éditeur Edinburgh University Press
Voir la filmographie complète de Paula Markovitch sur le site IMDB ...
> Du même auteur :
The Feeling Child (2018)
Affect and Politics in Latin American Literature and Film
Dir. Philippa Page, Inela Selimovic et Camilla Sutherland
Sujet : Countries > Latin America
> Sur un thème proche :
Retour
