Violence in the Films of Alfred Hitchcock

A Study in Mimesis

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by David Humbert

Type: Essays
Subject: Director > Alfred Hitchcock
Keywords: Alfred Hitchcock, violence
Publishing date: 2017
Publisher: Michigan State University Press
Collection: Studies in Violence, Mimesis & Culture
Language: English

Relative size

Physical desc.

Paperback • 210 pages
6 x 9 inches (15 x 23 cm)

ISBN

978-1-61186-239-3

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Book Presentation:
Parting ways with the Freudian and Lacanian readings that have dominated recent scholarly understanding of Hitchcock, David Humbert examines the roots of violence in the director’s narratives and finds them not in human sexuality but in mimesis. Through an analysis of seven key films, he argues that Girard’s model of mimetic desire—desire oriented by imitation of and competition with others—best explains a variety of well-recognized themes, including the MacGuffin, the double, the innocent victim, the wrong man, the transfer of guilt, and the scapegoat. This study will appeal not only to Hitchcock fans and film scholars but also to those interested in Freud and Girard and their competing theories of desire.

About the Author:
David Humbert is an Associate Professor and Chair of the Department of Religious Studies at Laurentian University in Sudbury, Ontario.

Press Reviews:
"This book is a brilliant response to a famous volume edited by Slavoj Žižek in which Jacques Lacan takes the place of René Girard. The author convinces us that one of the best guides to understanding Girard is Hitchcock’s filmography. The anguish of the wrongly accused, the irresistible escalation of violence, and the independence of desire from its object are all ingredients of the Hitchcockian suspense, and we follow the author’s analyses with the same pleasure as we watched the movies."
—Jean-Pierre Dupuy, author of The Mark of the Sacred

See the publisher website: Michigan State University Press

See the complete filmography of Alfred Hitchcock on the website: IMDB ...

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