Fairy tale interrupted

Feminism, Masculinity, Wonder Cinema

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by Allison Craven

Type

Essays

Subject

Genre > Fantasy

Keywords

fairy tales, feminism, masculinity, sociology

Publishing date

2016

Publisher

Peter Lang

Language

English

Relative size

Physical desc.

Paperback • 254 pages
6 ¼ x 9 inches (16 x 23 cm)

ISBN

978-3-0343-2087-0

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Book Presentation:
Feminism, masculinity and fairy tale figure within an extended analysis of Disney's Beauty and the Beast (1991), in light of the live-action remake, Beauty and the Beast (2017). The history of the fairy tale Beauty and the Beast is compared with Disney's adaptation which centralises the figure of the Beast rather than the heroine, Belle. A flagship during a key period of Disney’s corporate expansion in the early 1990s, in the first section of the book, the production is situated with respect to gender histories in the corresponding period: the rise of post-feminism, and its implicit disavowal of feminism, the mythopoetic men’s movement and the crisis of masculinity. The following section canvasses views of masculinity in second wave feminism and the role of myth and fairy in key works of feminism. A critical discussion ensues of twenty-first century wonder cinema in which the influence of feminist ideas is seen to circulate within the pastiche treatments of fairy tales and enchantment.

About the Author:
Allison Craven is a Senior Lecturer in English and Screen Studies at James Cook University, North Queensland, Australia. She has published on Disney media, Australian cinema and children’s literature in education. She is also the author of Finding Queensland in Australian Cinema, forthcoming.

See the publisher website: Peter Lang