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W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen

Becoming a Character Comedian

de

Type
Biographies
Sujet
Actor
Mots Clés
W.C. Fields, comical, Broadway
Année d'édition
Editeur
Palgrave MacMillan
Collection
Palgrave Studies in Theatre and Performance History
1ere édition
2014
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover292 pages
6 ¼ x 8 ½ inches (16 x 21.5 cm)
ISBN
978-1-349-94985-4
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Description de l'ouvrage:
This book reveals how Fields became a character comedian while performing in Broadway’s most illustrious revue, the Ziegfeld Follies.
As the first biography to use the recently opened Fields Papers at the Motion Picture Academy, the book explores how Fields years as a Follies entertainer portraying a beleaguered husband and a captivating conman became a landmark turning point in his career, leading to his fame as a masterful film comedian. The book also untangles a web of mysteries about Fields’s turbulent private life, from the heartrending stories about the tragic relationship with his calculating wife who refused to divorce him, to his estranged son controlled by his mother, to the seven-year extra-marital affair with a chorus girl that led to the birth of an unwanted child.
This electrifying saga illuminates a complex dual personality, whirling from tenderness to brusqueness, who endured so much anguish in order to bring the gift of laughter to millions. Although vilified by Ziegfeld and assailed by demons, Fields survived the cutthroat rigors of Broadway show biz to become a legendary American iconoclast and cultural icon.

À propos de l'auteur :
Arthur Frank Wertheim is the author of W. C. Fields from Burlesque and Vaudeville to Broadway: Becoming a Comedian (2014). The first volume of a three-part series on the comedian’s life and career, it has already been hailed as the definitive biography of a famous American comic iconoclast and cultural icon.He has also written several books on twentieth-century American culture, including Vaudeville Wars, The New York Little Renaissance, and Radio Comedy. He has co-edited three volumes: The Papers of Will Rogers and edited Will Rogers at the Ziegfeld Follies and American Popular Culture. A former American history professor at the University of Southern California, USA, as well as visiting professor at the University of California, Los Angeles, USA, his awards range from a Fulbright grant to teach at the University of Indonesia to a fellowship on biography at The Norman Mailer Center, USA.

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