MENU   

Rear Window

The Making of a Hitchcock Masterpiece in the Hollywood Golden Age

by

Type
Stories
Subject
One Film
Keywords
Alfred Hitchcock, film making
Publishing date
Publisher
Citadel Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover272 pages
5 ½ x 8 ¼ inches (14 x 21 cm)
ISBN
978-0-8065-4388-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
The definitive, in-depth look inside Alfred Hitchcock’s Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood’s greatest achievements and turned generations of viewers into “a race of Peeping Toms.” A must-read for film buffs, Hitchock fans old and new, and fans of classic movies and Hollywood insider history.

Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .

Using this limited point of view, Hitchcock forces his audience to participate in his protagonist’s voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.

This eye-opening book goes straight to the source of Rear Window’s genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the scenes: Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film’s unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick.

Filled with eye-catching photographs, outrageous anecdotes, and delicious details, this exciting book pulls back the curtain on a classic thriller that’s as relevant today as ever—and every bit as thrilling.

About the Author:
Jennifer O’Callaghan is a freelance writer and journalist. She has worked as a reporter for Metro News, The Sundance Channel, Shaw TV, and CKUA radio in news, entertainment, and lifestyle beats. She has also appeared as a red-carpet reporter for the web entertainment site MyBroadway.com, and as host on Paradetown USA on NYC-TV. She has interviewed celebrities including Will Ferrell, Meryl Streep, and Cameron Diaz, and appeared as a featured model on The Today Show and The View. She currently lives in Toronto and can be found online at JenniferOCallaghan.com

See the

See Rear Window (1954) on IMDB ...

> On a related topic:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info