Chris Marker

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de Nora M. Alter

Type

Studies

Sujet

Director > Chris Marker

Mots Clés

Chris Marker, director

Année d'édition

2006

Editeur

University of Illinois Press

Collection

Contemporary Film Directors

Langue

anglais

Taille du livre

Format

Paperback • 205 pages
6 x 8 ¼ inches (15.5 x 21 cm)

ISBN-10
ISBN-13

0-252-07316-9
978-0-252-07316-8

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Description de l'ouvrage:
Best known in the United States for his visionary short film La Jetée, Chris Marker spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s. His distinctive style and use of still images place him among the postwar era's most influential European filmmakers. His fearless political cinema, meanwhile, provided a bold model for other activist filmmakers.

Nora M. Alter investigates the core themes and motivations behind an unpredictable and transnational career that defies easy classification. A photographer, multimedia artist, writer, broadcaster, producer, and organizer, Marker cultivated an artistic dynamism and always-changing identity. ""I am an essayist,"" Marker once said, and his 1953 debut filmic essay The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in atrocities in the former Belgian Congo. Ranging geographically as well as artistically, Marker's travels led to films like the classic Sans Soleil and Sunday in Peking. His decades-long struggle against global injustice involved him with Night and Fog, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps.

Insightful and revealing, Chris Marker includes interviews with the notoriously private director.

Voir le site internet de l'éditeur University of Illinois Press

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