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Beyond Zombie Politics
The Art of George A. Romero's Cinema
Edited by Adrienne Boutang, Claire Cornillon and David Roche
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Book Presentation:
Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Hélène Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lécole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaële
Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (1940–2017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romero’s Cinema gathers a group of contributors to explore Romero’s work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice.
Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late director’s craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films’ relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films’ relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film.
About the authors:
Adrienne Boutang is associate professor of film studies at University of Franche-Comté. Her research focuses on censorship and regulation of North American cinema in the contemporary era, transgressive representations, and adolescence in cinema.Claire Cornillon is associate professor of comparative literature at the University of Nîmes. Her work focuses on science fiction literature, cinema, and television.David Roche is professor of film studies at the Paul Valéry University of Montpellier. He is author of Making and Remaking Horror in the 1970s and 2000s: Why Don’t They Do It Like They Used To? and Quentin Tarantino: Poetics and Politics of Cinematic Metafiction, editor of Conversations with Russell Banks, and coeditor of Comics and Adaptation, all published by University Press of Mississippi.
Press Reviews:
With Beyond Zombie Politics Roche, Boutang, and Cornillon have assembled a collection that completely revolutionizes how we can, and should, think about Romero as an artist, about film theory as a translator, and about cinema as a medium. This is an innovative, forward-thinking, and necessary intervention into writing about Romero and his work and marks the start of a new chapter in the further exploration of this unique artist and those he worked with. -- Wickham Clayton, author of SEE! HEAR! CUT! KILL! Experiencing "Friday the 13th"
This book stages new and necessary interventions in the study of popular cinema. Its primary strengths lie in the close attention it pays to often overlooked facets of Romero’s filmography, its novel use of theory, and its careful engagement with existing scholarship in both English and French. A well-organized and comprehensive study, Beyond Zombie Politics will have a significant impact on how scholars and fans think about Romero, his work, his contexts, and his intertexts. -- Miranda Corcoran, author of Witchcraft and Adolescence in American Popular Culture: Teen Witches
See the publisher website: University Press of Mississippi
See the complete filmography of George A. Romero on the website: IMDB ...
> From the same authors:
Transnationalism and Imperialism (2022)
Endurance of the Global Western Film
Dir. Hervé Mayer and David Roche
Subject: Sociology
Comics and Adaptation (2020)
Dir. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot
Subject: Technique > Adaptation
Quentin Tarantino (2018)
Poetics and Politics of Cinematic Metafiction
by David Roche
Subject: Director > Quentin Tarantino
Making and Remaking Horror in the 1970s and 2000s (2015)
Why Don't They Do It Like They Used To?
by David Roche
Intimacy in Cinema (2014)
Critical Essays on English Language Films
Dir. David Roche and Isabelle Schmitt-Pitiot
Subject: Sociology
> On a related topic:
George A. Romero's Independent Cinema (2023)
Horror, Industry, Economics
by Tom Fallows
Subject: Director > George A. Romero
Dark Directions (2012)
Romero, Craven, Carpenter, and the Modern Horror Film
Subject: Director > George A. Romero, Wes Craven, John Carpenter
Night of the Living Dead (2025)
The Official Story of the Film
by Simon Braund
Subject: One Film > Night of the Living Dead
Back from the Dead (2011)
Remakes of the Romero Zombie Films as Markers of Their Times
Not of the Living Dead (2023)
The Non-Zombie Films of George A. Romero
by Noah Simon Jampol, Cain Miller, Leah Richards and John R. Ziegler
Subject: Director > George A. Romero
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