Books in French are on www.livres-cinema.info
Digital Platforms and Feminist Film Discourse
Women's Cinema 2.0
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
This project offers a critical overview of how online activities and platforms are becoming an important source for the production and promotion of women’s films. Inspired by a transnational feminist framework, Maule examines blogs, websites, online services and projects related to women’s filmmaking in an interrogation of the very meaning of women’s cinema at the complex intersection with digital technology and globalization. It discusses women’s cinema 2.0 as a resistant type of cinematic expression and brings attention to the difficulties inherent in raising and expanding visibility for women’s filmic expression within a global sphere dominated by neo-liberalism and post-feminism. The author pays close attention to the challenges and contradictions involved in bringing a niche area of filmmaking and feminist discourse to the broad and diverse communities of the Internet and global media market, while also highlighting the changing forms of media and feminism.
About the Author:
Rosanna Maule is Associate Professor of Film Studies in the Mel Hoppenheim School of Cinema at Concordia University, Canada. She is the author of Beyond Auteurism (2008), the main editor of In the Dark Room (2009), and with Guylaine Dionne she co-directed the feature documentary Women Filmmakers: The State of Things (2017). She is part of the research team GRAFICS at Université de Montréal, on the Board of Directors of the Women’s Film History International, and an active member of the Global Women’s Cinema Project.
See the publisher website: Palgrave MacMillan
> From the same author:
Sustainable Resilience in Women's Film and Video Organizations (2024)
A Counter-Lineage in Moving Image History
Subject: Sociology
Beyond Auteurism (2008)
New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s
> On a related topic:
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction
Ambiguous Cinema (2024)
From Simone de Beauvoir to Feminist Film-Phenomenology
by Kelli Fuery
Subject: Sociology
Incomplete (2023)
The Feminist Possibilities of the Unfinished Film
Dir. Alix Beeston and Stefan Solomon
Subject: Sociology
There She Goes Again (2023)
Gender, Power, and Knowledge in Contemporary Film and Television Franchises
Subject: Sociology
Independent Women (2023)
From Film to Television
Dir. Claire Perkins and Michele Schreiber
Subject: Sociology
The Avenging-Woman On-Screen (2023)
Female Empowerment and Feminist Possibilities
by Lara C. Stache and Rachel D. Davidson
Subject: Sociology
Back
