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Queer/Adaptation

A Collection of Critical Essays

Edited by

Type
Essays
Subject
Keywords
queer, sociology
Publishing date
Publisher
Palgrave MacMillan
Collection
Palgrave Studies in Adaptation and Visual Culture
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover285 pages
6 x 8 ½ inches (15 x 21.5 cm)
ISBN
978-3-030-05305-5
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Book Presentation:
This collection of essays illuminates the intersection of queer and adaptation. Both adaptation and queerness suffer from the stereotype of being secondary: to identify something as an adaptation is to recognize it in relation to something else that seems more original, more authentic. Similarly, to identify something as queer is to place it in relation to what is assumed to be “normal” or “straight.” This ground-breaking volume brings together fifteen original essays that critically challenge these assumptions about originality, authenticity, and value. The volume is organized in three parts: The essays in Part I examine what happens when an adaptation queers its source text and explore the role of the author/screenwriter/director in making those choices. The essays in Part II look at what happens when filmmakers push against boundaries of various kinds: time and space, texts and bodies, genres and formats. And the essays in Part III explore adaptations whose source texts cannot be easily pinned down, where there are multiple adaptations, and where the adaptation process itself is queer. The book includes discussion of a wide variety of texts, including opera, classic film, genre fiction, documentary, musicals, literary fiction, low-budget horror, camp classics, and experimental texts, providing a comprehensive and interdisciplinary introduction to the myriad ways in which queer and adaptation overlap.

About the Author:
Pamela Demory is on the faculty of the University of California at Davis, USA. She has published numerous articles on both film adaptation and queer film and television, including “Queer Adaptation,” in The Routledge Companion to Adaptation Studies (2018). She is the co-editor of Queer Love in Film and Television (Palgrave 2013) and serves on the editorial board of the Journal of Popular Culture.

Press Reviews:
"Eschewing moralistic connotations associated with LGBTQ lives, here, promiscuity unyokes binaries of sexuality and gender, while alluding to the intellectual pleasure and possible ‘erotic charge’ of intertextual engagement. By extension, queer/adaptation scholarship should stimulate similar responses; so, in an act of critical promiscuity I read, viewed, or re-experienced all of the material I could locate, seeking pleasure by matching my observations with those of the essayists." (David Pellegrini, Adaptation, August 14, 2020)

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