MENU   

Hong Kong Popular Culture

Worlding Film, Television, and Pop Music

de

Type
Studies
Sujet
Countries
Mots Clés
Hong Kong
Année d'édition
Editeur
Palgrave MacMillan
Collection
Hong Kong Studies Reader Series
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover544 pages
6 x 8 ½ inches (15 x 21.5 cm)
ISBN
978-9811388163
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
This book traces the evolution of the Hong Kong’s popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city’s geo-political, economic and social transformations. Under various historical contingencies and due to the city’s special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city’s nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural.

Reaching beyond the “golden age” (1980s) of Hong Kong popular culture and afar from a film-centric cultural narration, this book, delineating from the dawn of the 20th century and following a chronological order, untangles how the nowadays popular “Hong Kong film”, “Hong Kong TV” and “Cantopop” are derived from early-age Sinophone cultural heritage, re-shaped through cross-cultural hybridization and influenced by multiple political forces. Review of archives, existing literatures and corporation documents are supplemented with policy analysis and in-depth interviews to explore the centennial development of Hong Kong popular culture, which is by no means demise but at the juncture of critical transition.

À propos de l'auteur :
Klaiver J. Wang is a researcher on Hong Kong culture and society. She was a post-doctoral fellow at the Academy of Hong Kong Studies, Education University of Hong Kong. She is now pursuing film archivist training at Tisch School of the Arts, New York University. Her publication appears on International Journal of Cultural Studies and International Journal of Taiwan Studies.

Voir le

> Sur un thème proche :

The Colonial Screen:Early Cinema in Hong Kong

(2025)

Early Cinema in Hong Kong

de

Sujet : Countries >

Hong Kong Crime Films:Criminal Realism, Censorship and Society, 1947-1986

(2023)

Criminal Realism, Censorship and Society, 1947-1986

de

Sujet : Countries >

Experts in Action:Transnational Hong Kong-Style Stunt Work and Performance

(2021)

Transnational Hong Kong-Style Stunt Work and Performance

de

Sujet : Countries >

Milkyway Image:Producing Hong Kong Film Genres for Global Consumption

(2021)

Producing Hong Kong Film Genres for Global Consumption

de

Sujet : Countries >

The Other Side of Glamour:The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond

(2020)

The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond

de

Sujet : Countries >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info