From Us to Me
The Israeli Cinema between Nationalism and Individualism, 1964–1994
by Dror Izhar
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Until recently, scholarly works on Israeli film have been more theoretical than historical. From Us to Me, presented in two volumes, seeks to change that. It serves as an attempt to illustrate the sociocultural history of Israeli cinema from 1964 to 1994. In this first volume, building on primary and secondary sources, academic studies of Israeli history, and excerpts from relevant films, author Dror Izhar shares his unique interpretations regarding the artistic achievements of three director-producers: Ephraim Kishon, Uri Zohar, and Menahem Golan. While the first two defined Israeli personal cinema, the third attempted to rekindle national Israeli film. Izhar’s focus on how sociopolitical factors affect and are affected by these films stands out, particularly in light of world events during the period studied. Offering an in-depth exploration of the work of several filmmakers, this study considers the history and influence of Israeli cinema in the second half of the twentieth century.
See the publisher website: iUniverse
> On a related topic:
New Directions in Israeli Media (2025)
Film, Television, and Digital Content
Dir. Yaron Peleg, Eran Kaplan and Ido Rosen
Casting a Giant Shadow (2021)
The Transnational Shaping of Israeli Cinema
Dir. Lucy Fischer and Dan Chyutin
Warriors, Witches, Whores (2017)
Women in Israeli Cinema