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From France With Love

Gender and Identity in French Romantic Comedy

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Type
Essays
Sujet
Genre
Mots Clés
romantic comedy, France
Année d'édition
Editeur
Bloomsbury Academic
Collection
International Library of the Moving Image
1ere édition
2015
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback278 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-1-350-22514-5
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Description de l'ouvrage:
Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amelie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com a l'Americaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

À propos de l'auteur :
Mary Harrod is Assistant Professor in French Studies at the University of Warwick, UK. Prior to this, she was a Teaching Assistant at King's College London, where she received her PhD. Before embarking upon an academic career in 2007, she worked in film production and development for five years.

Revue de Presse:
"This is a timely and fascinating study of a global phenomenon increasingly present in French film production." ―French Studies

"[Author Mary Harrod] argues her case well: this is clearly an area of distinct social significance for film studies, unfairly neglected and even scorned by scholars and critics alike." ―Cinema Retro

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