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Raymond Cauchetier's New Wave

by

Type
Photos
Subject
Countries
Keywords
French New Wave, photos
Publishing date
Publisher
ACC Art Books
Language
English
Size of a pocketbookSize of a large bookRelative size of this book
Relative size
Physical desc.
Hardcover240 pages
9 ½ x 11 ¾ inches (24 x 30 cm)
ISBN
978-1-85149-791-1
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Book Presentation:
In the late 1950s and early 1960s French New Wave cinema exploded onto international screens with films like Les quatre cents coups, A bout de souffle and Jules et Jim. They were radical, artistic, original and most importantly set up the director as a creative genius; at the forefront were Francois Truffaut and Jean-Luc Godard. Today these films are credited with changing cinema forever. For many film goers they command strong and passionate respect and became the foundations on which a lifetime of cinema-going is built. In the photographs of Raymond Cauchetier we bear witness to the great artistic genius that was central to the process of making these films. Cauchetier's photographs are a culturally important documentary of the director at work, his methods and processes. His photographs capture some of the most memorable moments in film; Jean-Paul Belmondo and Jean Seberg on the Champs Élysées in A bout de souffle, Jeanne Moreau in the race scene of Jules et Jim, Anna Karina in a Parisian Cafe in Une femme est une femme. But Cauchetier's genius lies also in the fact that his photographs are far above just a visual record of these films. They clearly show the same spirit, the same freedom and the same originality that made The New Wave so important. Cauchetier's photographs are as much a part of The New Wave as the films themselves. In the words of Richard Brody: In these images, Raymond Cauchetier, a witness to art, made art by bearing true witness. This is the first book published in English featuring the New Wave film photographs of Raymond Cauchetier.

Press Reviews:
[Cauchetier] spent the Sixties taking photographs that revealed the radical methods of cinema's avant-garde and documenting some of the most enduring moments ever seen on the silver screen.--Peter Yeung "The Telegraph, June 18, 2015 "

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