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Creepy Bitches
Essays On Horror From Women In Horror
Edited by Alyse Wax and Rebekah McKendry
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Book Presentation:
For far too long, horror has been considered a male genre, made by men, marketed to men, and enjoyed by men. But in the last decade, we have seen an emergence of women as horror filmmakers, academics, and fans, all making sure their voices were heard! Editors Alyse Wax and Rebekah McKendry, PhD have gathered some of the greatest minds in horror film theory—all women—to discuss their love of the genre.
The scope of Creepy Bitches covers all areas of the horror genre, film industry, and fandom – from the Cronenbergian experience of giving birth to how The X-Files plays in the #MeToo moment; from growing up at Disneyland’s Haunted Mansion to growing up in a video store. The book explores gender roles in The Creature From the Black Lagoon trilogy and Mexican horror cinema, as well as the bisexual energy of I Know What You Did Last Summer. It covers the therapeutic benefits of watching horror and how to love home invasion movies again after experiencing real-life trauma. But the book’s overarching purpose is to celebrate new voices and increase our understanding of women in the horror realm, celebrating that horror does not only scare us, but helps us understand the world around us, providing a lens through which to view and explore our own selves.
See the publisher website: BearManor Media
> On a related topic:
House of Psychotic Women (2024)
Expanded Edition: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films
New Blood in Contemporary Cinema (2020)
Women Directors and the Poetics of Horror
Mastering Fear (2020)
Women, Emotions, and Contemporary Horror
Attack of the Leading Ladies (2018)
Gender, Sexuality, and Spectatorship in Classic Horror Cinema
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