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Elia Kazan

The Cinema of an American Outsider

by

Type
Studies
Subject
Director
Keywords
Elia Kazan, social aspects
Publishing date
Publisher
I.B.Tauris
Collection
Cinema and Society
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover256 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-84511-560-9
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Book Presentation:
Drawing on new and previously neglected sources, this book is an expert and timely reassessment of Elia Kazan’s life in the cinema. The result is a fresh and memorable portrait of both the man and his work which highlights the remarkable and enduring contribution to American, and world, cinema of this ever fascinating, Oscar-winning director. Author Brian Neve examines Kazan’s key artistic collaborations--with actors such as Marlon Brando and James Dean and playwrights such as Tennessee Williams and John Steinbeck--and analyzes his cinematic style, from visual techniques to recurrent themes in films such as A Streetcar Named Desire and On the Waterfront. He takes an in-depth look at the controversial Congressional testimony which Kazan gave to HUAC in 1952, for which he was ostracized by many, and which often overshadowed his cinematic achievements. Neve also assesses Kazan and his films in a wider political and cultural context, tracing the evolution of the filmmaking process through the changing role of the studio, the Red Scares of the late 1940s, and the censorship debates of the 1950s and 1960s.

About the Author:
Brian Neve is Senior Lecturer in Politics at the University of Bath. He is the co-editor of Cinema, Politics and Society in America (1986), author of Film and Politics in America: A Social Tradition (1992, 2000) and an associate editor of the New York based film and politics quarterly Cineaste.

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