Books in French are on www.livres-cinema.info
MENU   

Lessons from The Maestro

Crafting a Successful Fight/Stunt Career in Theatre and Film

by David L. Boushey

Type
Didactic
Subject
TechniqueSpecial effects
Keywords
stunts
Publishing date
2021
Publisher
Routledge
Collection
A Focal Press Book
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 218 pages
6 x 8 ½ inches (15 x 21.5 cm)
ISBN
978-0-367-63772-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
In Lessons from The Maestro: Crafting a Successful Fight/Stunt Career in Theatre and Film, famed Hollywood and theatre stuntman, trainer, and fight director David L. Boushey writes about his life, the history of stage and screen combat and stunt work, and how to enter the entertainment industry.

Charting his illustrious career that spanned over 45 years, 400 theatre credits, and 45 films, Boushey narrates the events and decisions that lead him to enter the entertainment industry and documents for the first time his founding of multiple national and international associations for fight directors and stuntmen. He provides a roadmap for individuals aspiring to work in the theatre and film industry, providing information on training, auditioning, networking, unions, different paths one might take, and tips on how to be a successful stunt performer in a competitive industry.

Part autobiography, part how-to guide to the entertainment business from the foremost authority in stage combat and stunt work, this is an invaluable resource for professional and aspiring fight and intimacy directors and stunt performers in theatre and film.

About the Author:
David L. Boushey is the Founder of The Society of American Fight Directors, The United Stuntmen’s Association, and the International Stunt School, and was inducted into the Holywood Stuntmen's Hall of Fame

Press Reviews:
From Students

"The Reason to Sing is an imperative addition to the library of acting technique. This is one of our greatest masters giving you a master class on the practicalities of acting through song. Enjoy stepping into his classroom. It’s a magical place to be."

Annaleigh Ashford

"Craig Carnelia taught me how to act. He has an uncanny ability to reach the heart of a song and the heart of his students. His students are not just singers. They are storytellers."

Sutton Foster

"Craig saw promise, intelligence, and capability in my acting before I could acknowledge or value those qualities in myself. Through his gentle encouragement and disarming honesty, I was offered a safe place to explore every facet of myself and examine those facets until I learned to love and respect them."

Barrett Wilbert Weed

"Simply put: I owe my career to Craig – every audition, performance, award nomination and accolade. He gave me the confidence-of-self to sing each note and lyric with purpose, truth and integrity. His class will forever be my Northstar."

Brandon Uranowitz

"Craig’s teaching left an indelible mark on my acting and in my writing. I still hear his voice when I approach new material or a new role. Oh, and I booked a lot of Broadway shows because of his class."

Jennifer Sanchez

"Throughout my seven years of studying with Craig, I observed his uncanny ability to introduce the artist to themself. He would consistently intuit exactly what each student required to use their entire being to tell truth through art. His role in my life has been immense both as an artist and a human."

Laura Dreyfuss

"Craig’s teaching changed the course of my career. The work we did together re-shaped the relationship I have with song, and gave me permission to "not perform" and to trust that I am enough. Craig’s work creates an environment of vulnerability and honesty which results in searingly poignant communication between artist and audience. Beginning with my work in Craig’s class, I was able to build on that, and have ended up in some of the smartest and most courageous rooms in New York.

Beth Malone

"I’ve had the great pleasure of taking Craig’s class on and off for many years. His unique approach to musical theater acting, through personalization, relationship, and storytelling, has the ability to unlock even the most difficult of acting challenges. He was crucial to my finding confidence, and useable tools as a young actor, and I still think of his class often, across all mediums of my work."

Aaron Tveit

"Craig Carnelia is perhaps the most influential teacher in my study of musical theatre. Coming from a strictly classical music background, I only understood acting on a performative level. Craig broke me of the habit of ‘just singing’ and freed me to communicate through song."

Elizabeth Stanley

"Encountering Craig’s class was a pivotal moment in my journey as an actor. He has an uncanny ability to observe his students and draw out their truths by responding to what is most human in them. He is deeply present with his students and that level of presence is something I continue to aspire to in my work and life."

Ato Blankson-Wood

"I could write a book. Craig’s teaching is simultaneously tangible and visceral, yet also meditative and beyond the confines we set for ourselves. I cannot recommend him enough and hope this book inspires the creation of more studios and communities such as the one he created on West 72nd Street."

Erika Henningsen

From Universities

"This book is wonderful! Craig Carnelia offers a clear methodology, a step-by-step process to discover surprising authenticity and originality in the acting of songs. He has illuminated a supportive, insightful and inspiring acting process that creates the illusion that this master acting coach is standing by your side. It’s this intimate collaboration between the author and the reader (the teacher and the student) that makes this book so uniquely valuable to the student. I intend to use no other textbook in my Music Theatre Techniques class at Northwestern University from now on."

David H. Bell, Director of Music Theatre, Northwestern University

"As a master teacher of Musical Theatre, Craig Carnelia cuts to the heart of songs and makes them immediate for young performers. He espouses an admirable balance of insightful interpretation, emotional acting and crisp musicality. His master classes are always highly anticipated events at CCM."

Aubrey Berg, Chair Emeritus, CCM Musical Theatre Program

"Craig Carnelia is something of an industry standard in the teaching world regarding this subject. Utilizing the very best of Meisner, Stanislavsky, Uta Hagen and several other master teachers, his distillation of these ideas is profound, simple and accessible. A master instructor in his own right, there is something here for every aspiring and established singing artist."

Robert Westenberg, Professor of Theatre and Coordinator, BFA Musical Theatre Program, Missouri State University

"Craig Carnelia is the Master Teacher of Acting a Song. Elon’s Music Theatre students have been very fortunate to participate in and observe his many master classes on campus. Everyone leaves his classes inspired and carrying with them unique and valuable tools for their next performance. I trust you will be similarly inspired by The Reason to Sing."

Catherine McNeela Nt.D, Professor of Performing Arts and Coordinator of Music Theatre, Elon University


See the publisher website: Routledge

> On a related topic:

Danger on the Silver Screen:50 Films Celebrating Cinema's Greatest Stunts

Danger on the Silver Screen (2022)

50 Films Celebrating Cinema's Greatest Stunts

by Scott McGee

Subject: Technique > Special effects

Cowboy Stuntman:From Olympic Gold to the Silver Screen

Cowboy Stuntman (2022)

From Olympic Gold to the Silver Screen

by Dean Smith and Mike Cox

Subject: Technique > Special effects

Doubling for McQueen and Redford:The Stunt Careers of Loren Janes and Mickey Gilbert

Doubling for McQueen and Redford (2021)

The Stunt Careers of Loren Janes and Mickey Gilbert

by James C. Udel

Subject: Technique > Special effects

Neil “Soapy” Castles:Memoir of a Life in NASCAR and the Movies

Neil “Soapy” Castles (2019)

Memoir of a Life in NASCAR and the Movies

by Henry Neil Castles and Perry Allen Wood

Subject: Technique > Special effects

The Full Burn:On the Set, at the Bar, Behind the Wheel, and Over the Edge with Hollywood Stuntmen

The Full Burn (2009)

On the Set, at the Bar, Behind the Wheel, and Over the Edge with Hollywood Stuntmen

by Kevin Conley

Subject: Technique > Special effects

Twisting in Air:The Sensational Rise of a Hollywood Falling Horse

Twisting in Air (2024)

The Sensational Rise of a Hollywood Falling Horse

by Carol Bradley

Subject: Genre > Western

Experts in Action:Transnational Hong Kong-Style Stunt Work and Performance

Experts in Action (2021)

Transnational Hong Kong-Style Stunt Work and Performance

by Lauren Steimer

Subject: Countries > Hong Kong

Stuntwomen:The Untold Hollywood Story

Stuntwomen (2018)

The Untold Hollywood Story

by Mollie Gregory

Subject: Studio > Hollywood

Jock Mahoney:The Life and Films of a Hollywood Stuntman

Jock Mahoney (2013)

The Life and Films of a Hollywood Stuntman

by Gene Freese

Subject: Actor > Jock Mahoney

12690 books listed   •   (c)2024-2025 cinemabooks.info   •