MENU   

Production Studies

Cultural Studies of Media Industries

Edited by , and

Type
Studies
Subject
Keywords
cinema influence, attraction
Publishing date
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback264 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-415-99796-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
"Behind-the-scenes" stories of ranting directors, stingy producers, temperamental actors, and the like have fascinated us since the beginnings of film and television. Today, magazines, websites, television programs, and DVDs are devoted to telling tales of trade lore—from on-set antics to labor disputes. The production of media has become as storied and mythologized as the content of the films and TV shows themselves.

Production Studies is the first volume to bring together a star-studded cast of interdisciplinary media scholars to examine the unique cultural practices of media production. The all-new essays collected here combine ethnographic, sociological, critical, material, and political-economic methods to explore a wide range of topics, from contemporary industrial trends such as new media and niche markets to gender and workplace hierarchies. Together, the contributors seek to understand how the entire span of "media producers"—ranging from high-profile producers and directors to anonymous stagehands and costume designers—work through professional organizations and informal networks to form communities of shared practices, languages, and cultural understandings of the world.

This landmark collection connects the cultural activities of media producers to our broader understanding of media practices and texts, establishing an innovative and agenda-setting approach to media industry scholarship for the twenty-first century.

Contributors: Miranda J. Banks, John T. Caldwell, Christine Cornea, Laura Grindstaff, Felicia D. Henderson, Erin Hill, Jane Landman, Elana Levine, Amanda D. Lotz, Paul Malcolm, Denise Mann, Vicki Mayer, Candace Moore, Oli Mould, Sherry B. Ortner, Matt Stahl, John L. Sullivan, Serra Tinic, Stephen Zafirau

About the authors:
Vicki Mayer is Assistant Professor of Communication at Tulane University. She is author of Producing Dreams, Consuming Youth: Mexican Americans and Mass Media.
Miranda J. Banks is Assistant Professor of Visual and Media Arts at Emerson College. John Thornton Caldwell is Professor of Film, Television, and Digital Media at UCLA. He has authored and edited several books, including Televisuality: Style, Crisis and Authority in American Television, Electronic Media and Technoculture, New Media: Digitextual Theories and Practices, and Production Culture: Industrial Reflexivity and Critical Practice in Film and Television.

Press Reviews:
"Production Studies's collection of insightful essays by academics from a range of disciplines presents a superb example of precisely the kind of complex, collaborative work their essays elucidate. Incorporating material from interviews with a range of industry professionals, interrogating both industry practices and the scholarship that has explored them, this book speaks to some of the most pressing issues in the current media studies agenda."--Michele Hilmes, author of NBC: America's Network

"Arriving at a time when the analysis of cultural and material production, in all its forms, has perhaps never been so critical, this rich and diverse collection of essays is a vital contribution to media production studies. The contributors offer a variety of insightful accounts of production culture, approaching it from perspectives including anthropology, cultural studies, feminism, and political economy, and highlighting many different production modes, levels, and locales. Production Studies is the new benchmark for this important and rapidly evolving field, and will influence media scholars and practitioners for years to come."--Derek Kompare, author of Rerun Nation: How Repeats Invented American Television

See the

> From the same authors:

Almost Hollywood, Nearly New Orleans:The Lure of the Local Film Economy

(2017)

The Lure of the Local Film Economy

by

Subject:

The Writers:A History of American Screenwriters and Their Guild

(2016)

A History of American Screenwriters and Their Guild

by

Subject: Technique >

Production Studies, The Sequel!:Cultural Studies of Global Media Industries

(2015)

Cultural Studies of Global Media Industries

Dir. , and

Subject:

> On a related topic:

The Reader As Peeping Tom:Nonreciprocal Gazing in Narrative Fiction and Film

(2015)

Nonreciprocal Gazing in Narrative Fiction and Film

by

Subject:

Narrative, Film, and Identity:How Cinema Impacts the Meaning of Life

(2025)

How Cinema Impacts the Meaning of Life

by

Subject:

Screen Deep:How film and TV can solve racism and save the world

(2024)

How film and TV can solve racism and save the world

by

Subject:

Screening Big Data:Films That Shape Our Algorithmic Literacy

(2024)

Films That Shape Our Algorithmic Literacy

by

Subject:

Experiencing Epiphanies in Literature and Cinema:Arts and Humanities for Sustainable Well-being

(2024)

Arts and Humanities for Sustainable Well-being

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info