Music in the Horror Film

Listening to Fear

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Edited by Neil Lerner

Type: Studies
Subject: Technique > Music
Keywords: music, horror
Publishing date: 2009
Publisher: Routledge
Collection: Routledge Music and Screen Media Series
Language: English

Relative size

Physical desc.

Paperback • 256 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-0-415-99203-9

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Book Presentation:
Music in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.

About the Author:
Neil Lerner is Associate Professor of Music at Davidson College, with his Ph.D. in Musicology from Duke University. He has several published articles and numerous conference presentations to his credit, including co-authorship on our book with Joseph Straus, Sounding Off: Theorizing Disability in Music. Moreover, he is an active teacher of Film Music and carries a full load, teaching the curricula for general liberal arts students as well as required courses for music majors.

Press Reviews:
"This collection of short essays provides a diverse examination of the role music plays in the horror film genre ... With the addition of this volume, skillfully edited by Neil Lerner, the analysis of horror film music takes another big step in our understanding of the genre."
--Notes: Quarterly Journal of the Music Library Association (March 2011)
'I would definitely recommend this to scholars who are interested not only in music, but also in film in general. The close reading of musical passages and scenes from horror films does indeed illuminate the overall meaning of the films, as well as produce new readings which are not obvious without the consideration of music.' - The Gothic Imagination

See the publisher website: Routledge

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