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Pervasive Animation

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Type
Studies
Sujet
Genre
Mots Clés
animation, philosophy, experimental
Année d'édition
Editeur
Routledge
Collection
AFI Film Readers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback392 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-415-80724-1
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Description de l'ouvrage:
This new addition to the AFI Film Readers series brings together original scholarship on animation in contemporary moving image culture, from classic experimental and independent shorts to digital animation and installation. The collection - that is also a philosophy of animation - foregrounds new critical perspectives on animation, connects them to historical and contemporary philosophical and theoretical contexts and production practice, and expands the existing canon. Throughout, contributors offer an interdisciplinary roadmap of new directions in film and animation studies, discussing animation in relationship to aesthetics, ideology, philosophy, historiography, visualization, genealogies, spectatorship, representation, technologies, and material culture.

À propos de l'auteur :
Suzanne Buchan is Professor of Animation Aesthetics at Middlesex University, London. Her research investigates animation as a pervasive moving image form across a range of platforms and media. She teaches history, theory and aesthetics of cinema, digital screen arts, and animation, and she is active as a curator. Suzanne is editor of animation: an interdisciplinary journal. Her publications include The Quay Brothers: Into a Metaphysical Playroom (2011), Animated ‘Worlds’ (ed., 2006), journal and catalog essays, and chapters in scholarly collections.

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