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Popular Film and Television Comedy

by and

Type
Studies
Subject
Genre
Keywords
comedy
Publishing date
Publisher
Routledge
Collection
Popular Fictions Series
1st publishing
1990
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover304 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-1-138-14217-6
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Book Presentation:
Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and norms, and, to demonstrate this, they discuss a wide range of programmes and films, from Blackadder to Bringing up Baby, from City Limits to Blind Date, from the Roadrunner cartoons to Bless this House and The Two Ronnies. Comedies looked at in particular detail include: the classic slapstick films of Keaton, Lloyd, and Chaplin; Hollywood's 'screwball' comedies of the 1930s and 1940s; Monty Python, Hancock, and Steptoe and Son. The authors also relate their discussion to radio comedy.

About the authors:
Steve Neale and Frank Krutnik both lecture in Film Studies at the University of Kent at Canterbury.

Press Reviews:
`Few books have been written about comedy, and this one sets out to redress the balance, defining comedy and trying to understand what makes a particular comedy popular. From sitcoms to stand-up, all types of comedy come under scrutiny by Neale and Krutnik.' - Press and Journal

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