Books in French are on www.livres-cinema.info
MENU   

Gerry

Movies Minute by Minute

by Nicholas Rombes

Type
Studies
Subject
One FilmGerry
Keywords
Gus Van Sant, analysis
Publishing date
2025 (February 06, 2025)
Publisher
Bloomsbury Academic
Collection
Timecodes
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 104 pages
5 x 7 ¾ inches (13 x 19.5 cm)
ISBN
978-1-5013-9971-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
A minute-by-minute analysis of Gus Van Sant film, Gerry (2002).

Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits.

In the canon of director Gus Van Sant's films, Gerry (2002) stands out as a singular work, a boldly experimental film that nonetheless is accessible, darkly humorous, and profound. Gerry: Minute by Minute is a non-traditional critical study of this film, a bold, impressionistic series of vignettes that circle around questions which are highly specific to Gerry itself but which are also universal: what is it about certain works of art-films, books, paintings, music-that attach themselves to us so that we carry them with us on our journey through life? What does it mean to walk with these works inside us, as if they are a part of us?

The book's structure unfolds chronologically along with the film, with one moment from each of the film's 100 minutes serving as the basis for the chapters. Each of the 100 vignette chapters takes on topics ranging from the particulars of the film itself, including: the inventive use of camera movement and sound; the productive nature of collaboration; the driving themes and philosophies that inform the film; the blistering heat, in Death Valley, of its production; the place of Gerry in American cinema and its European influences, especially Béla Tarr; the impact of 9-11 on the cultural landscape of 2001-02, when Gerry was filmed and released; and what it means to “walk” with a film or a book, carrying it our heads as it informs who we are, often in subtle ways invisible to those around us.

About the Author:
Nicholas Rombes is a professor of English at the University of Detroit Mercy, USA. His books include Ramones (Continuum, 2005), New Punk Cinema (2005), and Cinema in the Digital Age (2017). He has written for Exquisite Corpse, McSweeney's online, and CTheory.Nadine Boljkovac is Assistant Professor at the University of Colorado, Colorado Springs, USA. She is the author of Little Women (2019) (Bloomsbury, forthcoming) and Untimely Affects: Gilles Deleuze and an Ethics of Cinema (2013; 2015), examining Alain Resnais & Chris Marker works. Her recent work appears in Cineaste, The Sustainable Legacy of Agnès Varda, Camera Obscura, Studies in European Cinema, Screening the Past, The Anthem Handbook of Screen Theory, and others.

Press Reviews:
"Gus Van Sant's film Gerry is a lot of things: a singular and immersive cinematic experience; an absurdist comedy with plenty of tragedy and horror in the mix; and a compelling homage to the works of Béla Tarr. In his new book, Nicholas Rombes memorably deconstructs the images, themes, and influences that shaped Gerry and makes a compelling case for it as the precursor to an entirely new genre. It's a thoughtful look at a cult classic - and a powerful argument for the staying power of this haunting narrative. A meticulously-crafted look at a meticulously-crafted film." ―Tobias Carroll, Writer/Editor, USA

"While Rombes' minute-by-minute reading of Gerry falls somewhere between Salvador Dali's critical paranoiac method and Roland Barthes' code wizardry in S/Z, this erudite narrative about a difficult film is both lucid and entertaining. This is the work of an obsessive fan equipped with an admirable grasp of film theory, cinematic history, media philosophy, and high-brow Hollywood trivia. In a technocapitalist regime that promotes doom scrolling, tiktok zombification, and the restriction of thought to 280 characters, what Rombes accomplishes here is a triumphant feat of sustained and careful attention. Gerry A (the book) is a thrilling joy ride to accompany the land-loping hallucination that is Gerry B (the film). "Power on to the thing!"" ―Marcel O'Gorman, Founding Director, Critical Media Lab, University of Waterloo, Canada

See the publisher website: Bloomsbury Academic

See Gerry (2002) on IMDB ...

> From the same author:

> On a related topic:

12690 books listed   •   (c)2024-2025 cinemabooks.info   •