The Emotional Life of Postmodern Film

Affect Theory's Other

Add to my list

by Pansy Duncan

Type

Essays

Subject

Theory

Keywords

postmodernism

Publishing date

2018

Publisher

Routledge

Collection

Routledge Research in Cultural and Media Studies

1st publishing

2015

Language

English

Relative size

Physical desc.

Paperback • 242 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-1-138-59791-4

User Ratings

(0 vote)

X

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Book Presentation:
Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive affect. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it.

About the Author:
Pansy Duncan is Lecturer in the School of English and Media Studies at Massey University, Auckland, New Zealand, where she writes on media affect and aesthetics. Her articles have been published in a range of venues, including PMLA, Cultural Critique, Textual Practice, Screen, and Film Quarterly.

See the publisher website: Routledge