MENU   

Crime and Fantasy in Scandinavia

Fiction, Film, and Social Change

de

Type
Studies
Sujet
Countries
Mots Clés
Scandinavia, crime films, fantasy
Année d'édition
Editeur
University of Washington Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback336 pages
6 x 8 ¾ inches (15 x 22.5 cm)
ISBN
978-0-295-98804-7
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Scandinavian popular novels and films have flourished in the last thirty years. In Crime and Fantasy in Scandinavia, Andrew Nestingen argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous “publics” in Scandinavia, in opposition to the homogenizing influence of the post-World War II welfare state. Novels and films have mobilized readers and viewers, serving as a preeminent site for debates over individualism, collectivity, national homogeneity, gender, and transnational relations.

Crime and Fantasy in Scandinavia provides insight into the changing nature of civil society in Scandinavia through the lens of popular culture. Nestingen develops his argument through the examination of genres where the central theme is individual transgression of societal norms: crime films and novels, melodramas, and fantasy fiction. Among the internationally known writers and filmmakers discussed are Henning Mankell, Aki Kaurismäki, Lukas Moodysson, and Lars von Trier.

À propos de l'auteur :
Andrew Nestingen is assistant professor of Scandinavian studies at the University of Washington.

Revue de Presse:
"The reader is very satisfied to have been taken on a journey over a vast northern landscape that is no longer quite the same as it used to be, but which becomes more comprehensible after reading this convincing introduction to post-war Scandinavian culture."―Peter Stenberg, Scandinavian-Canadian Studies, Vol. 20 (2011)

"A fascinating analysis of the significance of crime fiction for our understanding of Scandinavia's transformations in an era of globalizing tendencies."―Mette Hjort, author of Small Nation, Global Cinema: The New Danish Cinema

"This is an important work that urges Scandinavianists to rethink received notions about the welfare state and its legacy as well as the changing status of cultural productions."―Ellen Rees, University of Oregon

Voir le

> Du même auteur :

> Sur un thème proche :

Menacing Environments:Ecohorror in Contemporary Nordic Cinema

(2023)

Ecohorror in Contemporary Nordic Cinema

de

Sujet : Countries >

Hong Kong Crime Films:Criminal Realism, Censorship and Society, 1947-1986

(2023)

Criminal Realism, Censorship and Society, 1947-1986

de

Sujet : Countries >

Victims, Perpetrators and Professionals:The Representation of Women in Chinese Crime Films

(2021)

The Representation of Women in Chinese Crime Films

de

Sujet : Countries >

Giallo!:Genre, Modernity, and Detection in Italian Horror Cinema

(2021)

Genre, Modernity, and Detection in Italian Horror Cinema

de

Sujet : Countries >

Welcome to Fear City:Crime Film, Crisis, and the Urban Imagination

(2019)

Crime Film, Crisis, and the Urban Imagination

de

Sujet : Countries >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info