Les livres en français sont sur www.livres-cinema.info
Imperial Projections
Screening the German Colonies
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era.
À propos de l'auteur :
Wolfgang Fuhrmann teaches film at the University of Zurich’s Department of Film Studies. From 2005–2008 he was Director of the DFG Research Project “Film and Ethnography in Germany 1900–1930,” and has held teaching positions in Germany, Switzerland, and the Americas. He has published on German colonial cinema, early ethnographic filmmaking, historical film reception, and transnational film history.
Revue de Presse:
"One cannot rank the significance of Fuhrmann’s book as a model of German film historiography highly enough. Not only does Imperial Projection offer the first convincing overall overview of a forgotten and suppressed chapter of German film history; the book makes also clear what a modern, methodologically innovative and empirically supported film historiography is capable of achieving." · H-Soz-Kult
"Woldgang Fuhrmann succeeds with this impressive overview of German colonial film, largely neglected in the scholarly literature, to present convincingly the interaction of individual protagonists with various institutions. The bibliography conveys the depth of his research that can be considered exemplary. This also applies to the filmography that will inspire future research. The few illustrations are well selected and expressive." · Filmblatt
"A handful of black-and-white photographs, notes, a bibliography and an index round out this thoughtful historical analysis, especially recommended for college library Theatre/Cinema and World History collections." · Midwest Book Review
"Imperial Projections is a pioneering exploration of the intersection of early film history, the study of popular visual culture, and German colonial history in the years before the First World War... By showing that colonial images could, and did, mean different things to different people, Imperial Projections offers a refreshing rethinking of monolithic terms such as ‘the colonial gaze’ or ‘the imperialist imagination.’" · Christian Rogowski, Amherst College
"[This book] is of exceptional academic quality, impeccably researched, and presented with great thoroughness. It appears to me that it is the definitive work of research on early German colonial cinema to date, and probably destined to remain so." · Francis Gooding, Colonial Film: Moving Images of British Empire
Voir le site internet de l'éditeur Berghahn Books
> Sur un thème proche :
New German Cinema and Its Global Contexts (2025)
A Transnational Art Cinema
Dir. Marco Abel et Jaimey Fisher
Charting Asian German Film History (2025)
Imagination, Collaboration, and Diasporic Representation
Dir. Qinna Qinna Shen, Zach Ramon Fitzpatrick et Qingyang Freya Zhou
Neubau Atmospheres (2025)
East German Cultural Remediations of Modernist Architecture
Transnational German Film at the End of Neoliberalism (2024)
Radical Aesthetics, Radical Politics
Dir. Claudia Breger et Olivia Landry
Cinematically Transmitted Disease (2024)
Eugenics and Film in Weimar and Nazi Germany
Experiencing National Culture Abroad (2024)
The Study of Turkish Film Festivals in Germany
Retour
