MENU   

Cinema in an Age of Terror

North Africa, Victimization, and Colonial History

de

Type
Studies
Sujet
Mots Clés
colonialism, France, Maghreb
Année d'édition
Editeur
University of Nebraska Press
Collection
France Overseas: Studies in Empire and Decolonization
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover208 pages
5 ½ x 8 ¾ inches (14 x 22 cm)
ISBN
978-0-8032-2809-2
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O’Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim’s position is a dangerous and blinding drive that frequently plays into the vision of terrorism.

Films such as The Battle of Algiers, Days of Glory, Caché, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective—one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory—cultural, spatial, and ideological—and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word.

Michael F. O’Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar’s New Novels.

À propos de l'auteur :
Michael F. O’Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar’s New Novels.

Revue de Presse:
"A very thoughtful book which deserves to be read both widely and attentively."—Philip Dine, H-France Review

Voir le

> Sur un thème proche :

France, Algeria and the Moving Image:Screening Histories of Violence 1963-2010

(2018)

Screening Histories of Violence 1963-2010

de

Sujet : Countries >

Palimpsestic Memory:The Holocaust and Colonialism in French and Francophone Fiction and Film

(2015)

The Holocaust and Colonialism in French and Francophone Fiction and Film

de

Sujet : Countries >

French Colonial Documentary:Mythologies of Humanitarianism

(2008)

Mythologies of Humanitarianism

de

Sujet : Genre >

Cinema, Colonialism, Postcolonialism:Perspectives from the French and Francophone Worlds

(1996)

Perspectives from the French and Francophone Worlds

Dir.

Sujet : Countries >

Performing the Cold War in the Postcolonial World:Theatre, Film, Literature and Things

(2024)

Theatre, Film, Literature and Things

Dir.

Sujet :

Celluloid Colony:Locating History and Ethnography in Early Dutch Colonial Films of Indonesia

(2021)

Locating History and Ethnography in Early Dutch Colonial Films of Indonesia

de

Sujet :

Cinematic Settlers:The Settler Colonial World in Film

(2020)

The Settler Colonial World in Film

Dir. et

Sujet :

Films for the Colonies:Cinema and the Preservation of the British Empire

(2019)

Cinema and the Preservation of the British Empire

de

Sujet :

16099 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info