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The Hunger Games

Spectacle, Risk and the Girl Action Hero

by and

Type
Studies
Subject
One Film
Keywords
Gary Ross, youth
Publishing date
Publisher
Routledge
Collection
Routledge Focus on Film Studies
1st publishing
2018
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback124 pages
6 x 9 ½ inches (15.5 x 24 cm)
ISBN
978-0-367-73452-7
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Book Presentation:
The 2012 film The Hunger Games and its three sequels, appearing quickly over the following three years, represent one of the most successful examples of the contemporary popularity of youth-oriented speculative film and television series. This book considers "The Hunger Games" as an intertextual field centred on this blockbuster film franchise but also encompassing the successful novels that preceded them and the merchandised imagery and the critical and fan discourse that surrounds them. It explores the place of The Hunger Games in the history of youth-oriented cinema; in the history of speculative fiction centred on adolescents; in a network of continually evolving and tightly connected popular genres; and in the popular history of changing ideas about girlhood from which a successful action hero like Katniss Everdeen could emerge.

About the authors:
Catherine Driscoll is Professor of Gender and Cultural Studies at the University of Sydney. Her research focuses on youth and girl culture, popular culture, modernity, and rural cultural studies. She is also author of Girls, Modernist Cultural Studies, Teen Film, and The Australian Country Girl.Alexandra Heatwole is a researcher in media and gender studies, specialising in girl studies, youth culture, speculative fictions, and sexuality and reproductive technology. Since her doctorate, Renegotiating the Heroine: Postfeminism on the Speculative Screen (Sydney, 2015), she has published on princess culture and girl heroes.

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See The Hunger Games (2012) on IMDB ...

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