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The Performative Representations of Masculinity in Quentin Tarantino's Cinema

All the Auteur's Men

by Justin Russell Greene

Type
Studies
Subject
DirectorQuentin Tarantino
Keywords
Quentin Tarantino, masculinity
Publishing date
2023
Publisher
Lexington Books
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 162 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-79363-633-1
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Book Presentation:
In this book, Justin Russell Greene examines how Quentin Tarantino uses his auteur identity to further cement the masculine tropes of Hollywood – and ultimately, society – through language, visual aesthetics, and performative representations of masculinity in his films and media appearances. Greene posits that the careful crafting of his auteur persona allows Tarantino to project a consistent version of what it means to be a writer-director-artist, and that through his interview and speeches, he reveals the deeper intensions behind the representations his characters present in his films. However, although he is valorized by audiences, media personalities, and peers as an artistic genius, Tarantino traffics in many of the systemic issues embedded within the United States’ socio-cultural environment. Greene argues that although Tarantino promotes a political vision in his films and public appearances that illuminates the restrictions of hegemonic masculinity, this is not sufficiently effective at truly disrupting entrenched ideologies about masculinity in U.S. culture due to how Tarantino hides his critical takes within genre stereotypes. Scholars of film studies, gender studies, and popular culture will find this book of particular interest.

About the Author:
Justin Russell Greene is an instructor in the Department of English at Virginia Polytechnic Institute and State University (Virginia Tech).

Press Reviews:
"This insightful study of Tarantino delves into his portrayal of race and gender, uncovering its intricate contradictions, ambivalent performances, and undeniable limitations. Ultimately, the book serves as a nuanced yet incisive critique of the white male writer-director’s controversial auteur status and brand power in a post-‘Me Too’/‘BLM’ era."
-- Seung-hoon Jeong, California State University Long Beach

See the publisher website: Lexington Books

See the complete filmography of Quentin Tarantino on the website: IMDB ...

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