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Claes Oldenburg's Theater of Vision

Poetry, Sculpture, Film, and Performance Art (livre en anglais)

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Type
Etudes
Sujet
Personnalité
Mots Clés
Claes Oldenburg
Année d'édition
Editeur
Routledge
Collection
Routledge Research in Art History
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié256 pages
16,5 x 24 cm
ISBN
978-1-032-44988-3
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Description de l'ouvrage :
In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965.

This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years.

The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.

À propos de l'auteur :
Nadja Rottner is Associate Professor of Art History at the University of Michigan-Dearborn.

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