Surviving Images

Cinema, War, and Cultural Memory in the Middle East (livre en anglais)

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de Kamran Rastegar

Type

Etudes

Sujet

Pays > Moyen-Orient

Mots Clés

Moyen-Orient, guerre, cultures nationales

Année d'édition

2015

Editeur

Oxford University Press

Langue

anglais

Taille du livre

Format

Broché • 248 pages
15,5 x 23,5 cm

ISBN

978-0-19-939017-5

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Description de l'ouvrage :
• Fills a gap in the critical literature on both Middle Eastern cinemas (including North Africa) and the cultural memory of conflict
• Presents a cohesive and informative narrative of cinematic production in the Middle East
• Expands the purview of trauma studies to compare it with other contexts of suffering and violence as they emerge in the postcolonial world

Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.

À propos de l'auteur :
Kamran Rastegar, Associate Professor of Arabic Literature and Culture, Tufts University Kamran Rastegar is Associate Professor of Arabic Literature and Culture at Tufts University.

Revue de Presse :
"expertly researched and well-elucidated ... A significant contribution to postcolonial scholarship, trauma studies, and cinema studies, Rastegarâs book is likely to become a major text in the field." - R. B. Wise, CHOICE

Voir le site internet de l'éditeur Oxford University Press