Virtuoso

Film Performance and the Actor's Magic (livre en anglais)

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de Murray Pomerance

Type

Etudes

Sujet

Technique > Acteurs

Mots Clés

jeu d'acteur, acteur

Année d'édition

2019

Editeur

Bloomsbury Academic

Langue

anglais

Taille du livre

Format

Broché • 366 pages
15 x 23 cm

ISBN

978-1-5013-5067-2

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Description de l'ouvrage :
Elizabeth Taylor's electrifying performance in Who's Afraid of Virginia Woolf? The milkshake scene in There Will be Blood. Leonardo DiCaprio's turn as Arnie in What's Eating Gilbert Grape? What makes these performances so special?

Eloquently written and engagingly laid out, Murray Pomerance answers the tough question as to what makes an exceptional, or virtuosic performance. Pomerance intensively explores virtuosic performance in film, ranging from classical works through to contemporary production, and gives serious consideration to structural problems of dramatization and production, actorial methods and tricks, and contingencies that befall performers giving stand-out moments.

Looking at more than 40 aspects of the virtuosic act, and using an approach based in careful meditation and discursion, Virtuoso moves through such themes as showing off, effacement, self-consciousness, performative collapse, spontaneity, acting as dream, acting and femininity, virtuosity and torture, secrecy, improvisation, virtuosic silence, and others; giving special attention to the labors of such figures as Fred Astaire, Johnny Depp, Marlene Dietrich, Basil Rathbone, Christopher Plummer, Leonardo DiCaprio, Alice Brady, Ethel Waters, James Mason, and dozens more. Numerous scenic virtuosities are examined in depth, from films as far-ranging as Singin' in the Rain and The Bridge on the River Kwai, and My Man Godfrey. As the first book about virtuosity in film performance, Virtuoso offers exciting new angles from which to view film both classical and contemporary.

À propos de l'auteur :
Murray Pomerance is an independent scholar living in Toronto, Canada, and Adjunct Professor in the School of Media and Communication at RMIT University, Melbourne, Australia. He is the author of The Hitchcock Quartet (An Eye for Hitchcock, A Dream of Hitchcock, A Voyage with Hitchcock, and A Silence from Hitchcock); Uncanny Cinema: Agonies of the Viewing Experience (Bloomsbury, 2022); Color It True: Impressions of Cinema (Bloomsbury, 2022); The Film Cheat: Film Artifice and Viewing Pleasure (Bloomsbury, 2020); Virtuoso: Film Performance and the Actor's Magic (Bloomsbury, 2019); Cinema, If You Please: The Memory of Taste, the Taste of Memory (Bloomsbury, 2018), and many other volumes including, with Matthew Solomon, The Biggest Thing in Show Business: Living It Up with Martin & Lewis (2024).Pomerance's fiction has appeared in The Paris Review, New Directions, The Kenyon Review, and elsewhere; he is the author of Grammatical Dreams, A King of Infinite Space, and other books.

Revue de Presse :
"In 44 epigrammatic chapters, Pomerance examines the work of literally hundreds of screen actors, capturing the essence of their performances in isolated gestures, speech patterns, facial expressions, and other bits of cinematic legerdemain … The depth, range, and scope of this volume is stunning, as is the precision with which Pomerance unpacks these moments from more than a thousand films, shedding new light on the actor's craft. Summing Up: Highly recommended." ―CHOICE

"An interesting and compelling read throughout … the book is a joy to read from start to finish, whether one knows the performances being discussed or not, and makes a wonderful addition to the growing body of scholarly writings on performance and star studies." ―Historical Journal of Film, Radio and Television

"In this extraordinary volume, Murray Pomerance acts as something like a spirit guide to the mysteries of cinematic performance. The text conjures a pageant of gestures, voices, faces and moments that exemplify virtuosity, accompanied by critical reflection that is never less than compelling. Pomerance's prose is itself virtuosic: lucid, penetrating, brilliant. It asks questions we didn't know could be asked, and never resorts to easy answers. This makes the book essential reading, not just for scholars and students of film performance, but for anyone interested in the art and magic of the cinema." ―Dr. Alex Clayton, Senior Lecturer in Film and Television, University of Bristol, UK

"From detailed examinations of such singular talents like James Dean and Cary Grant, to the subtler, fleeting, performative moments by virtuosos as varied as John Barrymore and Kristen Stewart, Murray Pomerance offers a new way of approaching, as well as a language for addressing, the riddling qualities of great film acting. What magic the actors explored in this book do with gesture, expression and inflexion, Pomerance does here with incisive description, analysis, and an often delightful turn of phrase." ―Dr. Daniel Varndell, Senior Lecturer in English Literature, University of Winchester, UK

Voir le site internet de l'éditeur Bloomsbury Academic