Les livres en français sont sur www.livres-cinema.info
MENU   

Cheap Scares!

Low Budget Horror Filmmakers Share Their Secrets (livre en anglais)

de Gregory Lamberson

Type
Ouvrage didactique
Sujet
TechniqueToutes les techniques
Mots Clés
écriture, marketing, horreur
Année d'édition
2008
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 292 pages
18 x 25,5 cm
ISBN
978-0-7864-3706-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
This is a step-by-step guide to creating and selling a horror movie, from rough outline to film distribution, with an emphasis on storytelling and marketing. Chapters cover screenwriting, freelancing as a writer, collaborating, budgeting and pitching projects to industry decision-makers. Interviews with J.B. Bookwalter, Roy Frumkes, Larry Fessenden, Scooter McRae, Brett Piper and others all convey today’s realities. Production stills, sample screenplay pages, and sample budgets are included. Fully indexed.

À propos de l'auteur :
Gregory Lamberson is a novelist and filmmaker specializing in horror entertainment. He wrote and directed the cult classic Slime City and worked as the production manager on I Was a Teenage Zombie and as Frank Henenlotter’s assistant director on Brain Damage. He lives in Cheektowaga, New York.

Revue de Presse :
Finalist, Bram Stoker Award—Horror Writers Association

"Lamberson knows his stuff and he’s not afraid to tell readers how it is, warts and all. Articulate, brazen and seasoned, the man pulls no punches making CHEAP SCARES an essential resource for indie filmmakers…a must have…indispensable…turns the low-budget film industry inside out and gives us a revealing glimpse at the inner workings of the beast"—Fear Zone; "as both an advocate of independent film and a potential mentor for those daring enough to follow in his footsteps, Lamberson truly deserves to be heard"—Rue Morgue; "must have"—horroryearbook.com; "terrific"—filmsinreview.com; "a useful tool for aspiring moviemakers"—Video Watchdog; "It’s the best book on filmmaking I’ve ever read"—Desmon Reddick, Dread Media; "Wanna make a movie? This A to Z essential tome is the new filmmakers’ bible. Forget the others, they are already outdated. Both inspirational and bitter sweet, this book gives you the hard line on what it takes to make a successful go at being a filmmaker in the new age. Lamberson lays out the mechanics for any budding filmmaker seriously intent on making a critical dent, and maybe even a buck, creating their opus."—Debbie Rochon, Fangoria Radio Host and Cult Movie Actress; "Thinking of making an Indie horror movie (or any genre of movie for that matter)? Read this book. Lamberson has fought in the trenches for over two decades. This book’s the Real Deal: written by someone who knows the truth. A must-read for any prospective filmmaker."—Philip Nutman, Author/film journalist/co-screenwriter/associate producer Jack Ketchum’s The Girl Next Door; "It’s an axiom that’s proven time and time again in Hollywood—that the best horror films, and the most unique voices, almost always come from outside the Studio System. Want to prove you’re one of them? Read Greg Lamberson’s Cheap Scares!—it’s chock full of the tools and insight that’ll help you on your way."—Stephen Susco, screenwriter of The Grudge and Red; "When I was a kid I wanted nothing more than to be involved in the movies. So I made my own. I struggled with the lack of information that was out there and greedily drank up all that I could. I wish this book had been in my arsenal at the time. It would have saved me a lot of grief. Greg Lamberson has already been down the road and he can tell you like a father what happened to him along the way."—Mike McCarty, Author and KNB FX Artist.

Voir le site internet de l'éditeur McFarland & Co

> Sur un thème proche :

A Sense of Dread:Getting Under the Skin of Horror Screenwriting

A Sense of Dread (2022)

Getting Under the Skin of Horror Screenwriting

de Neal Marshall Stevens

Sujet : Technique > Ecriture

The Writing Dead:Talking Terror with Tv's Top Horror Writers

The Writing Dead (2017)

Talking Terror with Tv's Top Horror Writers

de Thomas Fahy

Sujet : Genre > Horreur

Making Your First Blockbuster:Write It. Film It. Blow it Up!

Making Your First Blockbuster (2019)

Write It. Film It. Blow it Up!

de Paul Dudbridge

Sujet : Technique > Toutes les techniques

Ad Nauseam:Newsprint Nightmares from the 1980s

Ad Nauseam (2018)

Newsprint Nightmares from the 1980s

de Michael Gingold

Sujet : Genre > Horreur

Beyond the Monoplot:How to Write Unconventional Films (and Why We Should)

Beyond the Monoplot (2025)

How to Write Unconventional Films (and Why We Should)

de Chris Neilan

Sujet : Technique > Ecriture

Film as Argument:The Secret to Feature Film Storytelling

Film as Argument (2025)

The Secret to Feature Film Storytelling

de Darren Paul Fisher

Sujet : Technique > Ecriture

Scriptnotes:A Book About Screenwriting and Things That Are Interesting to Screenwriters

Scriptnotes (2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

de John August et Craig Mazin

Sujet : Technique > Ecriture

13613 livres recensés   •   (c)2024-2025 cinemabooks.info   •