MENU   

Gothic Realities

The Impact of Horror Fiction on Modern Culture (livre en anglais)

de

Type
Essais
Sujet
GenreHorreur
Mots Clés
horreur, gothic
Année d'édition
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché248 pages
15 x 23 cm
ISBN
978-0-7864-4835-7
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
Eighteenth-century critics believed Gothic fiction would inspire deviant sexuality, instill heretical beliefs, and encourage antisocial violence—this book puts these beliefs to the test. After examining the assumptions behind critics’ fears, it considers nineteenth-century concerns about sexual deviance, showing how Frankenstein, Dr. Jekyll and Mr. Hyde, Dorian Gray, and other works helped construct homosexuality as a pathological, dangerous phenomenon. It then turns to television and film, particularly Buffy the Vampire Slayer and David DeCoteau’s direct-to-video movies, to trace Gothicized sexuality’s lasting impact. Moving to heretical beliefs, Gothic Realities surveys ghost stories from Dickens’s A Christmas Carol to Poltergeist, articulating the relationships between fiction and the “real” supernatural. Finally, it considers connections between Gothic horror and real-world violence, especially the tragedies at Columbine and Virginia Tech.

À propos de l'auteur :
L. Andrew Cooper is assistant professor of Film and Digital Media at the University of Louisville, Kentucky. His work has appeared in The Quarterly Review of Film and Video and Gothic Studies. His co-edited anthology targeted for composition classes, Monsters, appeared in summer 2012, and his next book, Dario Argento, is scheduled to appear in November 2012. Visit his website at www.landrewcooper.com.

Revue de Presse :
"astutely explores the ways that original fears regarding the corrupting influence of eighteenth-century Gothic texts continue to resurface in modern works and real-life occurrences of horror…sophisticated and engaging from the start, Cooper’s prose style makes for a lucid and enjoyable read"—Gothic Studies
"this book is both useful and provocative"—Journal of the Fantastic in the Arts
"Gracefully written…worth reading…valuable…a book that belongs on the shelves of anyone who is interested in the Gothic, in film studies, and in cultural studies as well as on the shelves of people who enjoy a well-crafted argument."—Carol Senf, professor/associate chair Georgia Tech’s School of Literature, Communication, and Culture. Author of The Vampire in Nineteenth Century English Literature and Science and Social Science in Bram Stoker’s Fiction

Voir le

> Du même auteur :

> Sur un thème proche :

A New Heritage of Horror:The English Gothic Cinema

(2024)

The English Gothic Cinema

de

Sujet : Genre >

Agatha Christie and Gothic Horror:Adaptations and Televisuality

(2024)

Adaptations and Televisuality

de

Sujet : Genre >

Italian Gothic:An Edinburgh Companion

(2024)

An Edinburgh Companion

Dir. et

Sujet : Genre >

The Blaxploitation Horror Film:Adaptation, Appropriation and the Gothic

(2023)

Adaptation, Appropriation and the Gothic

de

Sujet : Genre >

Australian Gothic:A Cinema of Horrors

(2022)

A Cinema of Horrors

de

Sujet : Genre >

Screening the Gothic in Australia and New Zealand:Contemporary Antipodean Film and Television

(2022)

Contemporary Antipodean Film and Television

Dir. et

Sujet : Genre >

Gothic Film:An Edinburgh Companion

(2022)

An Edinburgh Companion

Dir. et

Sujet : Genre >

15750 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info