MENU   

Blood Circuits

Contemporary Argentine Horror Cinema (livre en anglais)

de

Type
Etudes
Sujet
Pays
Mots Clés
horreur, Argentine
Année d'édition
Editeur
State University of New York Press
Collection
SUNY series in Latin American cinema
1ere édition
2018
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché276 pages
16 x 24 cm
ISBN
978-1-4384-7076-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
Examines how recent Argentine horror films engage with the legacies of dictatorship and neoliberalism.

Argentina is a dominant player in Latin American film, known for its documentaries, detective films, melodramas, and auteur cinema. In the past twenty years, however, the country has also emerged as a notable producer of horror films. Blood Circuits focuses on contemporary Argentine horror cinema and the various "cinematic pleasures" it offers national and transnational audiences. Jonathan Risner begins with an overview of horror film culture in Argentina and beyond. He then examines select films grouped according to various criteria: neoliberalism and urban, rural, and suburban spaces; English-language horror films; gore and affect in punk/horror films; and the legacies of the last dictatorship (1976–1983). While keenly aware of global horror trends, Risner argues that these films provide unprecedented ways of engaging with the consequences of authoritarianism and neoliberalism in Argentina.

À propos de l'auteur :
Jonathan Risner is Assistant Professor of Spanish at Indiana University Bloomington.

Revue de Presse :
"Blood Circuits is an important and much-needed contribution to the fields of Latin American cinema and popular culture, and genre film studies with a focus on horror cinema. It offers original and innovative directions that will pave the way for new studies in different areas of film studies: the internationalization of horror that unfolds a problematic relationship between the United States and the Global South, the use of punk horror as a form of affect, and the development of new kinds of pleasures and displeasures in the spectator. " — Victoria Ruétalo, coeditor of Latsploitation, Exploitation Cinemas, and Latin America

Voir le

> Sur un thème proche :

Hear Me with Your Eyes:Women, Visions, and Voices in Argentine Cinema

(2022)

Women, Visions, and Voices in Argentine Cinema

de

Sujet : Pays >

Picturing Argentina:Myths, Movies, and the Peronist Vision

(2022)

Myths, Movies, and the Peronist Vision

de

Sujet : Pays >

Before Bemberg:Women Filmmakers in Argentina

(2020)

Women Filmmakers in Argentina

de

Sujet : Pays >

Nation, Culture and Class in Argentine Cinema:Crisis and Representation (1998-2005)

(2020)

Crisis and Representation (1998-2005)

de

Sujet : Pays >

Argentine Cinema:From Noir to Neo-Noir

(2020)

From Noir to Neo-Noir

de et

Sujet : Pays >

Affectual Erasure:Representations of Indigenous Peoples in Argentine Cinema

(2019)

Representations of Indigenous Peoples in Argentine Cinema

de

Sujet : Pays >

The Projected Nation:Argentine Cinema and the Social Margins

(2019)

Argentine Cinema and the Social Margins

de

Sujet : Pays >

16099 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info