Schizoanalysis and Visual Cultures

(livre en anglais)

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Sous la direction de Phillip Roberts et Richard Rushton

Type

Etudes

Sujet

Théorie

Mots Clés

Gilles Deleuze

Année d'édition

2011

Editeur

Edinburgh University Press

Collection

Deleuze Studies Special Issues
Volume 5.2

Langue

anglais

Taille du livre

Format

Broché • 96 pages
15,5 x 23,5 cm

ISBN

978-0-7486-4637-1

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Description de l'ouvrage :
Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Félix Guattari this volume attempts to open Deleuze's aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus - cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze's thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze's cinematic analyses if we are made to think of them as a further study in schizoanalysis.

Key Features
• Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture
• Patricia Pisters asks what a cinematic conception of Deleuze's third synthesis of time might look like and begins to explore what she will call the Neuroimage
• Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir
• Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images.

À propos des auteurs :
Philip Roberts is writing a PhD in Cinema and Control at the Centre for Critical and Cultural Theory at Cardiff University. Richard Rushton is Professor in Film Studies at Lancaster University

Voir le site internet de l'éditeur Edinburgh University Press