Movie Minorities
Transnational Rights Advocacy and South Korean Cinema (livre en anglais)
de Hye Seung Chung et David Scott Diffrient
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Description de l'ouvrage :
Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers’ rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema’s role in helping to galvanize activist social movements across several identity-based categories.
À propos des auteurs :
HYE SEUNG CHUNG is an associate professor of film and media studies at Colorado State University and the author of Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance, Kim Ki-duk, and Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press). She is the coauthor of Movie Migrations: Transnational Genre Flows and South Korean Cinema (Rutgers University Press).
DAVID SCOTT DIFFRIENT is a professor of film and media studies at Colorado State University and the author of M*A*S*H and Omnibus Films: Theorizing Transauthorial Cinema. He is the coauthor of Movie Migrations: Transnational Genre Flows and South Korean Cinema (Rutgers University Press).
Revue de Presse :
"Movie Minorities addresses a gaping hole in the literature and offers an original contribution to Korean film studies. This book is groundbreaking in multiple ways."
— Dong Hoon Kim
"Movie Minorities is a pleasure to read. I am thrilled that this work will introduce a number of key political, ethical, and historical categories into our understanding of contemporary Korean cinema."
— Steve Choe
> Des mêmes auteurs :
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Movie Migrations (2015)
Transnational Genre Flows and South Korean Cinema
Hollywood Asian (2006)
Philip Ahn and the Politics of Cross-Ethnic Performance
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> Sur un thème proche :
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Cinephilia Boom and Art Houses in South Korea
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Key Cultural Concepts and Their Appearance in Cinema
Pop Empires (2019)
Transnational and Diasporic Flows of India and Korea
Dir. S. Heijin Lee, Monika Mehta et Robert Ji-Song Ku
The South Korean Film Industry (2024)
Dir. Junhyung Cho, Sangjoon Lee et Dal Yong Jin
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