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Projecting the Shadow

The Cyborg Hero in American Film (livre en anglais)

de Janice Hocker Rushing et Thomas S. Frentz

Type
Etudes
Sujet
Les FilmsPersonnages
Mots Clés
personnages, masculinité, mythe, sociologie
Année d'édition
1995
Editeur
University of Chicago Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 269 pages
15 x 23 cm
ISBN-10
ISBN-13
0-226-73167-7
978-0-226-73167-4
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Description de l'ouvrage :
Part human, part machine, the cyborg is the hero of an increasingly popular genre of American film and, as Janice H. Rushing and Thomas S. Frentz so provocatively suggest, a cultural icon emblematic of an emergent postmodern mythology. Using the cyborg film as a point of departure, Rushing and Frentz examine how we rework Western myths and initiation rites in the face of new technologies.

Through in-depth examinations of six representative films—Jaws, The Deer Hunter, The Manchurian Candidate, Blade Runner, The Terminator, and Terminator 2—Rushing and Frentz track the narrative’s thread from the hunter to his technological nemesis, demonstrating how each film represents an unfolding hunter myth.

For each movie, Rushing and Frentz show how uninitiated male hunters slowly lose control over their weapons. In Jaws, a ’soft’ man, dominated by technology, can re-acquire the heroic hunter qualities he needs by teaming up with a ’savage’ man and a ’technological’ man. In doing so, he can still conquer the prey. The Manchurian Candidate charts how technology can turn a human into a weapon; Blade Runner perfects the artificial human with its manufactured replicants who are "more than human"; and The Terminator introduces a female hunter who leads humanity in its struggle against technology.

Voir le site internet de l'éditeur University of Chicago Press

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