A Divided World

Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948 (livre en anglais)

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de Nick Smedley

Type

Ouvrage didactique

Sujet

Pays > Etats-Unis

Mots Clés

Réalisateurs immigrés, années 30, Hollywood, Etats-Unis

Année d'édition

2011

Editeur

Intellect Books

Langue

anglais

Taille du livre

Format

Broché • 277 pages
18 x 23 cm

ISBN

978-1-84150-402-5

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Description de l'ouvrage :
The New Deal introduced sweeping social, political, and cultural change across the United States, which Hollywood embraced enthusiastically. Then, when the heady idealism of the 1930s was replaced by the paranoia of the postwar years, Hollywood became an easy target for the anticommunists. A Divided World examines some of the important programs of the New Deal and the subsequent response of the film community—especially in relation to social welfare, women’s rights, and international affairs. The book also provides an analysis of the major works of three European directors—Billy Wilder, Ernst Lubitsch, and Fritz Lang—compared and contrasted with the products of mainstream Hollywood. This is a new interpretation of an influential period in American film history and it is sure to generate further debate and scholarship.

Revue de Presse :
“A well-researched, often intelligent survey of Hollywood cinema during and after Roosevelt’s presidency.”
Nigel Andrews | Financial Times

“Smedley, a British film historian, devotes A Divided World to an examination of Hollywood before, during, and immediately after World War II. According to Smedley’s overview, the American film colony warmly embraced FDR’s liberal idealism of the 1930s. But in the 1940s, when the New Deal came increasingly under attack from Republicans, Hollywood did not rally a liberal defense and instead responded with a cinema of alienation and anxiety. Yet within this community of mostly American-born directors, Smedley notes, there emerged a brilliant trio of émigrés—Ernst Lubitsch, Billy Wilder and Fritz Lang—who did not subscribe to the governing Hollywood approach. All three had worked in Berlin before the rise of the Third Reich. And all three made Hollywood films that were not only skillfully crafted but also profoundly different from the usual studio productions, “articulating criticisms of American society left unsaid by their contemporaries.”
Stefan Kanfer | Wall Street Journal

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