Cinema of Outsiders

The Rise of American Independent Film (livre en anglais)

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de Emanuel Levy

Type

Etudes

Sujet

Genre > cinéma indépendant

Mots Clés

cinéma indépendant, Etats-Unis

Année d'édition

1999

Editeur

New York University (NYU) Press

Langue

anglais

Taille du livre

Format

Relié • 601 pages
16 x 23,5 cm

ISBN-10
ISBN-13

0-8147-5123-7
978-0-8147-5123-7

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Description de l'ouvrage :
A deep dive into the emergence and success of independent filmmaking in America

A Los Angeles Times Bestseller

The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.

Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style.

Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience.

Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness.

Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."

À propos de l'auteur :
A senior film critic of Variety magazine, Emanuel Levy is a two-time president of the Los Angeles Film Critics Association, Professor of Film and Sociology at Arizona State University West, and the author of seven books, including the acclaimed biography, George Cukor: Master of Elegance.

Revue de Presse :
"The time is ripe for an intelligent, informed, well-organized book on the world of independent cinema and Emanuel Levy has given us just that." -- Leonard Maltin

"Thoughtful and substantial." -- Stuart Klawans ― The Nation

"At a time when independent American films are more visible and important than ever before, this is an invaluable study. Emanuel Levy's writing is wise, passionate, and amazingly well-informed." -- Roger Ebert

"Levy gives us a comprehensive examination of the American independent film movement, with a level-headed, in-depth assessment of the movies it has produced. This is an indispensable text for anyone who wants to understand the independent world." -- David Ansen ― Newsweek

"The most detailed and up-to-date book on independent cinema, an invaluable reference work." -- Molly Haskell ― The Washington Post

Voir le site internet de l'éditeur New York University (NYU) Press