MENU   

Gay Conversion Practices in Memoir, Film and Fiction

Stories of Repentance and Defiance (livre en anglais)

Sous la direction de James E. Bennett et Marguerite Johnson

Type
Essais
Sujet
Sociologie
Mots Clés
homosexualité, diversité sexuelle, sociologie
Année d'édition
2024
Editeur
Bloomsbury Academic
Collection
Library of Gender and Popular Culture
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 312 pages
14,5 x 22 cm
ISBN
978-1-350-28983-3
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
For over half a century, organizations and individuals promoting ex-gay, conversion and/ or reparative therapy have pushed the tenet that a person may be able to, and should, alter their sexual orientation. Their so-called treatments or therapies have taken various forms over the decades, ranging from medical (including psychiatric or psychological) rehabilitation approaches, to counselling, and religious healing.

Gay Conversion Practices in Memoir, Film and Fiction provides an in-depth exploration of the disturbing phenomenon of gay conversion 'therapy' and its fictional and autobiographical representations across a broad range of films and books such as But I'm a Cheerleader! (1999), This is What Love in Action Looks Like (2011) and Boy Erased (2018). In doing so, the volume emphasizes the powerful role the arts and media play in communicating stories around conversion practices. Approaching the timely and urgent subject from an interdisciplinary perspective, contributors utilize film theory, queer theory, literary theory, mental health and social movement theory to discuss the medicalization and pathologizing of queer people, the power of institutions ranging from church, psychiatry and family (sometimes in alliance), and the real and fictional voices of survivors.

À propos des auteurs :
James Bennett is an Honorary Academic at the University of Auckland, New Zealand. He is author of 'Rats and Revolutionaries': The Labour Movement in Australia and New Zealand 1890-1940 (2004), co-author (with David Betts) of Marriage Equality and Resurgent Prejudice in Australia (2026) and co-editor (with Rebecca Beirne) of Making Film and Television Histories: Australia & New Zealand (2011). He is a specialist in the histories of medicalizing and de-medicalizing homosexuality.Claire Nally is Associate Professor of Modern and Contemporary Literature in the Department of English Literature, Linguistics and Creative Writing at Northumbria University, UK. She is the author of Steampunk: Gender, Subculture and the Neo-Victorian (Bloomsbury, 2019), co-editor or Bloomsbury Library of Gender and Popular Culture and Deputy Editor (including reviews) of the open access journal C21 Literature.Marguerite Johnson is Honorary Professor (Classics and Ancient History) at The University of Queensland. She is an interdisciplinary cultural historian of the ancient Mediterranean, and a comparative cultural analyst, emphasising literary-informed cultural paradigms, underpinned by the theoretical praxes of both gender and post-colonial theories. Her research explores themes in sexualities, gender, and the body, particularly the erotic poets Sappho, Catullus and Ovid, and myths and fables, Eros, and gender in the works of Plato. Key publications include Sexuality in Greek and Roman Literature and Society: A Sourcebook, 2nd ed. (Routledge, 2022); as editor, Antipodean Antiquities: Classical Reception Down Under (Bloomsbury, 2019); Ovid on Cosmetics: Medicamina Faciei Femineae and Related Texts (Bloomsbury, 2016); as co-editor with Harold Tarrant, Alcibiades and the Socratic Lover-Educator (Duckworth, 2012).Angela Smith is Professor of Language and Culture at the University of Sunderland, UK. She has written numerous articles and book chapters on media discourses, gender, the portrayal of immigrants and the representation of politicians.

Voir le site internet de l'éditeur Bloomsbury Academic

> Sur un thème proche :

Pink 2.0:Encoding Queer Cinema on the Internet

Pink 2.0 (2016)

Encoding Queer Cinema on the Internet

de Noah A. Tsika

Sujet : Sociologie

Male Bisexuality in Current Cinema:Images of Growth, Rebellion and Survival

Male Bisexuality in Current Cinema (2011)

Images of Growth, Rebellion and Survival

de Justin Vicari

Sujet : Sociologie

The Violate Man:Male/Male Rape in the American Imagination

The Violate Man (2025)

Male/Male Rape in the American Imagination

de Aaron C. Thomas

Sujet : Sociologie

Reattachment Theory:Queer Cinema of Remarriage

Reattachment Theory (2020)

Queer Cinema of Remarriage

de Lee Wallace

Sujet : Sociologie

Gay Men at the Movies:Cinema, Memory and the History of a Gay Male Community

Gay Men at the Movies (2016)

Cinema, Memory and the History of a Gay Male Community

de Scott McKinnon

Sujet : Sociologie

Gay Directors, Gay Films?:Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters

Gay Directors, Gay Films? (2015)

Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters

de Emanuel Levy

Sujet : Sociologie

Masculine Interests:Homoerotics in Hollywood Film

Masculine Interests (2002)

Homoerotics in Hollywood Film

de Robert Lang

Sujet : Sociologie

Spectacular Passions:Cinema, Fantasy, Gay Male Spectatorships

Spectacular Passions (2000)

Cinema, Fantasy, Gay Male Spectatorships

de Brett Farmer

Sujet : Sociologie

15750 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info