Polish Cinema in a Transnational Context
(livre en anglais)
Sous la direction de Ewa Mazierska et Michael Goddard

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Description de l'ouvrage :
This volume introduces a novel treatment of Polish cinema by discussing its international reception, performance, co-productions, and subversive émigré auteurs, such as Andrzej Zulawski and Walerian Borowczyk.
The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examining Polish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish cinema, as well as many other Eastern European cinemas, has been virtually excluded from new research in transnational cinema.
Polish Cinema in a Transnational Context addresses this lacuna in film studies, offering extended analysis of this national cinema's global influence. Contributors assess the reception of Polish films in Europe and North America, Polish international coproductions, the presence of Polish performers in foreign films, and the works of subversive émigré auteurs like Andrzej Zulawski and Walerian Borowczyk. The collection presents familiar films and filmmakers in a new and revealing light, while also focusing on lesser-known filmmakers and aspects of Polish cinema. The resulting volume moves the discussion beyond the border of Polish national belonging.
Contributors: Peter Hames, Darragh O'Donoghue, Helena Goscilo, Dorota Ostrowska, Charlotte Govaert, Eva Näripea, Izabela Kalinowska, Ewa Mazierska, Alison Smith, Lars Kristensen, Jonathan Owen,Michael Goddard, Robert Murphy, Kamila Kuc, Elzbieta Ostrowska
Ewa Mazierska is professor of film studies at the University of Central Lancashire. Michael Goddard is senior lecturer in media at the University of Salford.
Revue de Presse :
A ground-breaking and influential study of transnational Polish filmmakers and stars, while also re-evaluating critically neglected and/or negatively assessed Polish films and tendencies. ― STUDIES IN EUROPEAN CINEMA
[T]his volume is an excellent start to tracing the history of Polish cinema . from a transnational perspective. As Mazierska and Goddard point out, seminal books on the topic of transnational cinema rarely include chapters on Eastern Europe . This volume begins to rectify this omission and therefore represents an important contribution to transnational film studies. SLAVIC AND EASTERN EUROPEAN JOURNAL The book edited by Ewa Mazierska and Michael Goddard is one of the most interesting publications on Polish cinema in recent years, and it opens a new methodological horizon for our research. ― THE POLISH REVIEW
This interesting and lively book identifies and fills a gap in the study of cinema in general and Polish cinema in particular: that of Polish cinema's transnational dimension. Consideration of the long-standing relevance of transnationalism to this important cinematic tradition is overdue. --Paul Coates, professor of film studies, University of Western Ontario ― .
Voir le site internet de l'éditeur University of Rochester Press
> Des mêmes auteurs :
Third Cinema, World Cinema and Marxism (2022)
Dir. Ewa Mazierska et Lars Kristensen
Sujet : Sociologie
Poland Daily (2022)
Economy, Work, Consumption and Social Class in Polish Cinema
Blackpool in Film and Popular Music (2020)
From Kitsch to Cool
Dir. Ewa Mazierska
Sujet : Pays > Grande-Bretagne
From Self-fulfilment to Survival of the Fittest (2020)
Work in European Cinema from the 1960s to the Present
Marxism and Film Activism (2018)
Screening Alternative Worlds
Dir. Ewa Mazierska et Lars Kristensen
Sujet : Sociologie
Contemporary Cinema and Neoliberal Ideology (2017)
Dir. Ewa Mazierska et Lars Kristensen
Sujet : Sociologie
The Cinematic Bodies of Eastern Europe and Russia (2016)
Between Pain and Pleasure
Dir. Ewa Mazierska, Matilda Mroz et Elżbieta Ostrowska
Red Alert (2016)
Marxist Approaches to Science Fiction Cinema
Dir. Ewa Mazierska et Alfredo Suppia
Sujet : Genre > Science Fiction
Masculinities in Polish, Czech and Slovak Cinema (2010)
Black Peters and Men of Marble
Crossing New Europe (2006)
Postmodern Travel and the European Road Movie
de Ewa Mazierska et Laura Rascaroli
The Cinema of Nanni Moretti (2004)
Dreams and Diaries
de Ewa Mazierska et Laura Rascaroli
Sujet : Réalisateur > Nanni Moretti
> Sur un thème proche :
Hope Is of a Different Color (2022)
From the Global South to the Lodz Film School
Dir. Magda Lipska et Monika Talarczyk
Framing the Holocaust in Polish Aftermath Cinema (2022)
Posthumous Materiality and Unwanted Knowledge
de Matilda Mroz
The Struggle for Form (2014)
Perspectives on Polish Avant-Garde Film, 1916–1989
Dir. Kamila Kuc et Michael O'Pray