MENU   

Polish Cinema in a Transnational Context

(livre en anglais)

Sous la direction de et

Type
Etudes
Sujet
Pays
Mots Clés
Pologne, Europe, Andrzej Zulawski, Walerian Borowczyk
Année d'édition
Editeur
University of Rochester Press
Collection
Rochester Studies in East and Central Europe
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché342 pages
16 x 23 cm
ISBN
978-1-58046-468-0
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
This volume introduces a novel treatment of Polish cinema by discussing its international reception, performance, co-productions, and subversive émigré auteurs, such as Andrzej Zulawski and Walerian Borowczyk.

The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examining Polish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish cinema, as well as many other Eastern European cinemas, has been virtually excluded from new research in transnational cinema.
Polish Cinema in a Transnational Context addresses this lacuna in film studies, offering extended analysis of this national cinema's global influence. Contributors assess the reception of Polish films in Europe and North America, Polish international coproductions, the presence of Polish performers in foreign films, and the works of subversive émigré auteurs like Andrzej Zulawski and Walerian Borowczyk. The collection presents familiar films and filmmakers in a new and revealing light, while also focusing on lesser-known filmmakers and aspects of Polish cinema. The resulting volume moves the discussion beyond the border of Polish national belonging.

Contributors: Peter Hames, Darragh O'Donoghue, Helena Goscilo, Dorota Ostrowska, Charlotte Govaert, Eva Näripea, Izabela Kalinowska, Ewa Mazierska, Alison Smith, Lars Kristensen, Jonathan Owen,Michael Goddard, Robert Murphy, Kamila Kuc, Elzbieta Ostrowska

Ewa Mazierska is professor of film studies at the University of Central Lancashire. Michael Goddard is senior lecturer in media at the University of Salford.

Revue de Presse :
A ground-breaking and influential study of transnational Polish filmmakers and stars, while also re-evaluating critically neglected and/or negatively assessed Polish films and tendencies. ― STUDIES IN EUROPEAN CINEMA

[T]his volume is an excellent start to tracing the history of Polish cinema . from a transnational perspective. As Mazierska and Goddard point out, seminal books on the topic of transnational cinema rarely include chapters on Eastern Europe . This volume begins to rectify this omission and therefore represents an important contribution to transnational film studies. SLAVIC AND EASTERN EUROPEAN JOURNAL The book edited by Ewa Mazierska and Michael Goddard is one of the most interesting publications on Polish cinema in recent years, and it opens a new methodological horizon for our research. ― THE POLISH REVIEW

This interesting and lively book identifies and fills a gap in the study of cinema in general and Polish cinema in particular: that of Polish cinema's transnational dimension. Consideration of the long-standing relevance of transnationalism to this important cinematic tradition is overdue. --Paul Coates, professor of film studies, University of Western Ontario ― .

Voir le

> Des mêmes auteurs :

Poland Daily:Economy, Work, Consumption and Social Class in Polish Cinema

(2022)

Economy, Work, Consumption and Social Class in Polish Cinema

de

Sujet : Pays >

From Self-fulfilment to Survival of the Fittest:Work in European Cinema from the 1960s to the Present

(2020)

Work in European Cinema from the 1960s to the Present

de

Sujet : Pays >

Marxism and Film Activism:Screening Alternative Worlds

(2018)

Screening Alternative Worlds

Dir. et

Sujet :

Red Alert:Marxist Approaches to Science Fiction Cinema

(2016)

Marxist Approaches to Science Fiction Cinema

Dir. et

Sujet : Genre >

The Cinema of Raúl Ruiz:Impossible Cartographies

(2013)

Impossible Cartographies

de

Sujet : Réalisateur >

Jerzy Skolimowski:The Cinema of a Nonconformist

(2013)

The Cinema of a Nonconformist

de

Sujet : Réalisateur >

Masculinities in Polish, Czech and Slovak Cinema:Black Peters and Men of Marble

(2010)

Black Peters and Men of Marble

de

Sujet : Pays >

Crossing New Europe:Postmodern Travel and the European Road Movie

(2006)

Postmodern Travel and the European Road Movie

de et

Sujet : Pays >

> Sur un thème proche :

Film's Feisty Femmes:Today's Polish Women

(2025)

Today's Polish Women

de et

Sujet : Pays >

Polish Cinema Today:A Bold New Era in Film

(2023)

A Bold New Era in Film

de

Sujet : Pays >

Hope Is of a Different Color:From the Global South to the Lodz Film School

(2022)

From the Global South to the Lodz Film School

Dir. et

Sujet : Pays >

Framing the Holocaust in Polish Aftermath Cinema:Posthumous Materiality and Unwanted Knowledge

(2022)

Posthumous Materiality and Unwanted Knowledge

de

Sujet : Pays >

Polish Cinema:A History

(2018)

A History

de

Sujet : Pays >

No End in Sight:Polish Cinema in the Late Socialist Period

(2018)

Polish Cinema in the Late Socialist Period

de

Sujet : Pays >

The Struggle for Form:Perspectives on Polish Avant-Garde Film, 1916–1989

(2014)

Perspectives on Polish Avant-Garde Film, 1916–1989

Dir. et

Sujet : Pays >

16099 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info