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A Long Hard Look at Psycho

(livre en anglais)

de Raymond Durgnat et Henry K. Miller

Type
Etudes
Sujet
Un FilmPsychose
Mots Clés
Alfred Hitchcock, tournage, Saul Bass
Année d'édition
2010
Editeur
BFI Publishing
Collection
BFI Silver
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 264 pages
14 x 20 cm
ISBN
978-1-84457-359-2
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Description de l'ouvrage :
Upon its release in 1960, Alfred Hitchcock's Psycho divided critical opinion, with several leading film critics condemning Hitchcock's apparent encouragement of the audience's identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho's box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.

In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at 'Psycho' as the culmination of Durgnat's decades-long campaign to correct what he called film studies' 'Grand Error'. In the course of expounding Durgnat's root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat's mentor Thorold Dickinson. The book's story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.

À propos des auteurs :
RAYMOND DURGNAT (1932–2002) was the author of many groundbreaking books about the cinema, among them Films and Feelings (1967), Sexual Alienation in the Cinema (1972), The Strange Case of Alfred Hitchcock and Jean Renoir (both 1974), a study of WR: Mysteries of the Organism (1999) in the BFI Film Classics series, and 'A Mirror for England' (2010) and A Long Hard Look at Psycho (2011) both republished in the BFI Silver series.Henry K. Miller is a regular contributor to Sight and Sound and has written for Film Comment, Cinema Scope, Cineaste, and the Guardian. He teaches at Anglia Ruskin University and supervises undergraduates on the Literature and Visual Culture paper for the Faculty of English at the University of Cambridge, UK. He is also an Honorary Research Associate at the Slade School of Fine Art.

Voir le site internet de l'éditeur BFI Publishing

Voir la fiche de Psychose (1960) sur le site IMDB ...

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