The Strickland Continuum

Uncanny Intertexts in the Film and Media of Peter Strickland (livre en anglais)

Ajouter à ma liste

de John A. Riley

Type: Essais
Sujet: Réalisateur > Peter Strickland
Mots Clés: Peter Strickland, Grande-Bretagne
Année d'édition: 2026 (28 janvier 2026) (à paraître)
Editeur: Liverpool University Press
Langue: anglais

Taille du livre

Format

Relié • 208 pages
15,5 x 23,5 cm

ISBN

978-1-83624-496-7

Appréciation

(0 vote)

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Description de l'ouvrage :
Peter Strickland is one of the most distinctive and idiosyncratic British filmmakers of his generation. His highly intertextual work exists on a continuum ranging from genre filmmaking to experimental film. The Strickland Continuum is the first full-length study of his career, exploring his films, radio work, and music with The Sonic Catering Band to reveal a singular artistic vision.

This book examines Strickland as a committed outsider, navigating unconventional production contexts while championing neglected genres such as giallo, folk horror, and Eastern European waves. Through close analysis of his five feature films, experimental shorts, and audio projects, John A. Riley demonstrates how Strickland has created an intricate, thematically consistent body of work that defies easy categorization. Drawing on theories of the uncanny, commodity fetishism, and hauntology, this study positions Strickland as an artist deeply engaged with cinema’s past. However, his work is also highly personal and emotional, demonstrating an intense vulnerability that cuts through the various intertextual references.

The Strickland Continuum demonstrates that this under-explored director holds a central place in contemporary independent filmmaking.

À propos de l'auteur :
John A. Riley is a freelance writer and scholar based in Newcastle. The Strickland Continuum is his first book.

Revue de Presse :
‘Rachel White’s excellent new book shows how major English Renaissance authors such as George Chapman, Fulke Greville, and Edmund Spenser were acutely aware that the occult was not considered a special category of strangeness – how alchemy is seen today – but was part of on-going mainstream conversations about the nature of knowledge. Alive to poetic nuances and acute in its readings, Elizabethan Occult Poetics is not only a major work of literary criticism and history, but one that is extremely enjoyable to read.' Professor Andrew Hadfield, University of Sussex

Voir le site internet de l'éditeur Liverpool University Press

> Sur un thème proche :