MENU   

The "Disguised" Political Film in Contemporary Hollywood

A Genre's Construction (livre en anglais)

de

Type
Essais
Sujet
Genre
Mots Clés
politique, genre, cinéma américain
Année d'édition
Editeur
Bloomsbury Academic
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié224 pages
15 x 23 cm
ISBN
978-1-5013-2230-3
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio­-cultural landscape?

À propos de l'auteur :
Betty Kaklamanidou is a Fulbright scholar and Assistant Professor in Film and Television History and Theory at Aristotle University, Thessaloniki, Greece. She is the author of Genre, Gender and the Effects of Neoliberalism: The New Millennium Hollywood Rom Com (2013) and two books in Greek on adaptation theory and the history of the Hollywood rom-com. Betty is also the co-editor of Politics and Politicians in Contemporary U.S. Television (forthcoming, 2016), The Millennials on Film and Television (2014), HBO's “Girls” (2014), and The 21st Century Superhero (2010). Betty's articles have appeared in Literature/Film Quarterly, Celebrity Studies and The Journal of Popular Romance Studies.

Revue de Presse :
"In this comprehensive study, Kaklamanidou argues that there is a subset of Hollywood movies which fit into 'political genre,' a term not yet used by scholars, film critics, or industry (IMDB). She identifies 78 movies that were released between 2002 and 2012 and clearly explains why some 'political thrillers' do not belong to the genre of the political film, while other dramas, comedies, or science fiction movies do. This is a very important contribution to the study of genre and the political and will be an invaluable resource to scholars, students, and movie fans." ―Tony Spanakos, Associate Professor of Politics and Law, Montclair State University, USA

"Hollywood cinema and politics have always had a difficult relationship, with the American film industry traditionally reluctant to acknowledge the political messages of its films and the political intent of its filmmakers. As a result a vast part of Hollywood film production has been marketed as comedies, action thrillers, history dramas and epics, heritage films and biopics when they could also be perceived as political films. Looking behind these conventional generic disguises, film genre studies expert Betty Kaklamanidou deftly identifies the generic registers of political films in Hollywood cinema post-9/11 and demonstrates compellingly how their structure dovetails the formal and narrative requirements of contemporary filmmaking in the US. Rich in textual analysis and informed by strong theoretical and historical insights, The 'Disguised' Political Film in Contemporary Hollywood will help readers understand how to read popular films politically." ―Yannis Tzioumakis, Senior Lecturer in Communication and Media, the University of Liverpool, UK

"Kaklamanidou's insights are powerful and her writing is accessible and entertaining… Kaklamanidou's impressive ability to demonstrate the political in a whole range of films is illuminating and makes this engaging study a must read." ―Peggy Tally, Professor of Policy Studies, SUNY Empire State College, USA

Voir le

> Du même auteur :

Easy A:The End of the High-School Teen Comedy?

(2020)

The End of the High-School Teen Comedy?

de

Sujet : Un Film >

Contemporary European Cinema:Crisis Narratives and Narratives in Crisis

(2020)

Crisis Narratives and Narratives in Crisis

Dir. et

Sujet : Pays >

The Millennials on Film and Television:Essays on the Politics of Popular Culture

(2014)

Essays on the Politics of Popular Culture

Dir. et

Sujet :

The 21st Century Superhero:Essays on Gender, Genre and Globalization in Film

(2011)

Essays on Gender, Genre and Globalization in Film

Dir. et

Sujet : Genre >

> Sur un thème proche :

Feeling Revolution:Cinema, Genre, and the Politics of Affect under Stalin

(2020)

Cinema, Genre, and the Politics of Affect under Stalin

de

Sujet : Pays >

Hollywood from Vietnam to Reagan . . . and Beyond:A Revised and Expanded Edition of the Classic Text

(2003)

A Revised and Expanded Edition of the Classic Text

de

Sujet : Studio >

The Hollywood Social Problem Film:Madness, despair, and politics from the Depression to the fifties

(1981)

Madness, despair, and politics from the Depression to the fifties

de et

Sujet : Pays >

Media and Genre:Dialogues in Aesthetics and Cultural Analysis

(2022)

Dialogues in Aesthetics and Cultural Analysis

Dir.

Sujet : Genre >

16099 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info