Feminist Film Theory and Pretty Woman

(livre en anglais)

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de Mari Ruti

Type: Essais
Sujet: Un Film > Pretty Woman
Mots Clés: Garry Marshall, féminisme
Année d'édition: 2016
Editeur: Bloomsbury Academic
Collection: Film Theory in Practice
Langue: anglais

Taille du livre

Format

Broché • 216 pages
12,5 x 20,5 cm

ISBN

978-1-5013-1942-6

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Description de l'ouvrage :
In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of “girly” femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial “feminine” concerns such as love and shopping. The book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.

À propos de l'auteur :
Mari Ruti (PhD, Harvard University) was Distinguished Professor of Critical Theory and of Gender and Sexuality Studies at the University of Toronto, Canada. She was the author of numerous important works, including thirteen books The Singularity of Being: Lacan and the Immortal Within (2012); Between Levinas and Lacan: Self, Other, Ethics (Bloomsbury, 2015); The Age of Scientific Sexism (Bloomsbury, 2015); Feminist Film Theory and Pretty Woman (Bloomsbury, 2016); Penis Envy and Other Bad Feelings: The Emotional Costs of Everyday Life (2018); Distillations: Theory, Ethics, Affect (editor; Bloomsbury, 2018); and Critical Theory Between Klein and Lacan: A Dialogue - with Amy Allen (Bloomsbury, 2019).Todd McGowan is a Professor in the Department of Film and Television Studies at the University of Vermont. His many publications include Capitalism and Desire: The Psychic Cost of Free Markets (2016) and Enjoying What We Don’t Have: The Political Project of Psychoanalysis (2012).

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