Mediations of Disruption in Post-Conflict Cinema

(livre en anglais)

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Sous la direction de Adriana Martins, Alexandra Lopes et Mónica Dias

Type: Essais
Sujet: Genre > Films de guerre
Mots Clés: sociologie, guerre
Année d'édition: 2016
Editeur: Palgrave MacMillan
Langue: anglais

Taille du livre

Format

Relié • 233 pages
15 x 21 cm

ISBN

978-1-137-57519-7

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Description de l'ouvrage :
Mediations of Disruption in Post-Conflict Cinema is a transdisciplinary volume that addresses the cinematic mediation of a wide range of conflicts. From World War II and its aftermath to the exploration of colonial and post-colonial experiences and more recent forms of terrorism, it debates the possibilities, constraints and efficacy of the discursive practices this mediation entails. Despite its variety and amplitude in scope and width, the innovative and singular aspect of the book lies in the fact that the essays give voice to a variety of regions, issues, and filmmaking processes that tend either to remain on the outskirts of the publishing world and/or to be granted only partial visibility in volumes of regional cinema.

À propos des auteurs :
Adriana Martins teaches Culture & Globalization, Portuguese Film and Portuguese Culture at Universidade Católica Portuguesa. Film Studies and Culture Studies are among her research interests. Her latest book is Plots of War: Modern Narratives of Conflict (co-edited with I. C. Gil, 2012). Alexandra Lopes teaches Theories of Culture, Translation History and Theory at Universidade Católica Portuguesa. Her research interests are literary translation, translation history and culture studies. She has published on culture and translation studies, as well as translations of works by Peter Handke, Hertha Müller, William Boyd, Salman Rushdie. Mónica Dias currently works in the field of Democracy Studies, Peace Studies and International Conflict at . Her recent book is Gender Violence in Armed Conflict (co-edited with Carla Gomes and Francisco Leandro, 2013).

Revue de Presse :
"Mediations of Disruption in Post-Conflict Cinema delivers on its promise to present analyses of the representation in cinema of diverse types of conflict from a wide range of academic perspectives, whilst always considering the expressive specificity of a medium which, due to its complexity and effectiveness, may be used to promote criticism, clarification and revision of concepts (among them, those of conflict and post-conflict), but also to shape sometimes necessary and mystifying narratives." (João Pedro Vicente Faustino, Portuguese Studies, Vol. 34 (02), 2018)

Voir le site internet de l'éditeur Palgrave MacMillan

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