Global Genres, Local Films
The Transnational Dimension of Spanish Cinema (livre en anglais)
Sous la direction de Elena Oliete-Aldea

Moyenne des votes : ![]()
| 0 | vote | |
| 0 | vote | |
| 0 | vote | |
| 0 | vote |
Votre vote : -
Description de l'ouvrage :
The acute processes of globalisation at the turn of the century have generated an increased interest in exploring the interactions between the so-called global cultural products or trends and their specific local manifestations. Even though cross-cultural connections are becoming more patent in filmic productions in the last decades, cinema per se has always been characterized by its hybrid, transnational, border-crossing nature. From its own inception, Spanish film production was soon tied to the Hollywood film industry for its subsistence, but other film traditions such as those in the Soviet Union, France, Germany and, in particular, Italy also determined either directly or indirectly the development of Spanish cinema. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th century to the management of the contemporary financial crisis. This collection provides the first comprehensive picture of the complex national and supranational forces that have shaped Spanish films, revealing the tensions and the intricate dialogue between cross-cultural aesthetic and narrative models on the one hand, and indigenous traditions on the other, as well as the political and historical contingencies these different expressions responded to.
À propos de l'auteur :
Elena Oliete-Aldea is Lecturer at the Department of English and German Philology of the University of Zaragoza, Spain. In 2009, she completed her PhD thesis on cinematographic representations of national identity in contemporary British cinema. Her research centers on film and cultural studies, currently focusing on globalization and transnational cinema; she has participated in international conferences as well as research projects on film studies and published in several national and international journals.Beatriz Oria is Lecturer at the English Department of the University of Zaragoza, Spain, where she teaches Film Analysis. Her primary areas of interest include film, television and cultural studies and her current research focuses on globalization and comedy. She has published articles on Sex and the City, Woody Allen and romantic comedy in journals like the International Journal of the Humanities, the Journal of Popular Culture and theJournal of Popular Romance Studies. She is the co-editor of Intimate Explorations: Readings Across Disciplines (2009).
Revue de Presse :
"A lively and engaging, wide-ranging survey of Spanish cinema in its local, global, industrial and intercultural contexts, one that is loaded with provocative analyses of key films and genres and keen to re-articulate their relationship with World cinema." ―Rob Stone, Professor and Chair of European Film, University of Birmingham, UK
"Historically-grounded but never historicist, in its consistent acknowledgement of the importance of power relations in cultural production Global Genres, Local Films usefully complicates the term 'transnational,' thereby rescuing it from the apolitical platitudes by which is all too frequently rendered. This book is destined to make a significant contribution to Spanish film studies." ―Steven Marsh, Associate Professor of Spanish Film and Cultural Studies, University of Illinois at Chicago, USA
"This book brings to English-speaking readers some impeccably researched and lucidly written essays by important European film historians. Their rich and diverse film readings demonstrate the authors' deep knowledge of Spanish cinema and its contexts, bringing forward original objects of analysis and tackling films that are seldom discussed. The volume makes a fresh contribution to the debates about national and transnational paradigms and will fascinate researchers and students alike." ―Núria Triana Toribio, Professor of Hispanic Studies, University of Kent, UK
Voir le site internet de l'éditeur Bloomsbury Academic
> Sur un thème proche :
Contemporary Hispanic Cinema (2013)
Interrogating the Transnational in Spanish and Latin American Film
Dir. Stephanie Dennison
Sujet : Pays > Amérique latine
Volatile Whiteness (2025)
Race, Cinema, and Europeanization in Spain
Spanish Meta-Art and Contemporary Cinema (2025)
Mirrors to the Unconscious
Catalan Cinema (2024)
The Barcelona Film School and the New Avant-Garde
Dir. Anton Pujol et Jaume Martí-Olivella