France, Algeria and the Moving Image
Screening Histories of Violence 1963-2010 (livre en anglais)
de Maria Flood


Moyenne des votes : ![]()
| 0 | vote | |
| 0 | vote | |
| 0 | vote | |
| 0 | vote |
Votre vote : -
Description de l'ouvrage :
In the contemporary political sphere, the need to address the complex interactions between colonization, past and present violence, and audio-visual representation has never appeared more urgent. This is particularly true of France's troubled relationship with Algeria where, even after decolonization, episodes of violence -- police repression, torture, and terrorism -- were often excluded from popular, political and historical accounts on both sides of the Mediterranean. By engaging in close readings of work by both European and Algerian filmmakers -- including Michael Haneke, Alain Resnais, Assia Djebar, Xavier Beauvois, and Nadir Moknèche -- Maria Flood's wide-ranging study links historical omission to cinematic aesthetics, ultimately offering conclusions that inform wider thinking of the political power of film in the face of violence.
Maria Flood is Lecturer in Film Studies at Keele University.
Voir le site internet de l'éditeur Legenda
> Du même auteur :
The Figure of the Terrorist in Literature and Visual Culture (2025)
Dir. Maria Flood et Michael C. Frank
Sujet : Les Films > Personnages
> Sur un thème proche :
Palimpsestic Memory (2015)
The Holocaust and Colonialism in French and Francophone Fiction and Film
Cinema, Colonialism, Postcolonialism (1996)
Perspectives from the French and Francophone Worlds
Dir. Dina Sherzer
Cinema in an Age of Terror (2010)
North Africa, Victimization, and Colonial History
Sujet : Sociologie
Archiving the Past (2026)
Women's Film History in France, 1927–1978
Mixed Feelings in France (2025)
White Femininity and Métissage in French Multicultural Comedy
Nouvelles Femmes (2025)
Modern Women of the French New Wave and Their Enduring Contribution to Cinema