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The Europeanness of European Cinema

Identity, Meaning, Globalization (livre en anglais)

Sous la direction de Mary Harrod, Mariana Liz et Alissa Timoshkina

Type
Essais
Sujet
PaysEurope
Mots Clés
Europe, France
Année d'édition
2014
Editeur
I.B.Tauris
Collection
International Library of the Moving Image
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 288 pages
15,5 x 23,5 cm
ISBN
978-1-78076-929-5
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Description de l'ouvrage :
From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore 'Europeanness' in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the 'European' label in the circulation of films within and beyond the continent.
The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies.

À propos des auteurs :
Mariana Liz is Assistant Professor at the School of Arts and Humanities and Research Fellow at the Institute of Social Sciences, both at the University of Lisbon, Portugal. She is the author of Euro-Visions: Europe in Contemporary Cinema (2016) and co-editor of Women's Cinema in Contemporary Portugal (2020) and The Europeanness of European Cinema: Identity, Meaning, Globalization (2015).

Revue de Presse :
"This is a well-focused, excellently structured collection… an enlivening, energising intervention in the study of European film."
(Studies in Eastern European Cinema)

Voir le site internet de l'éditeur I.B.Tauris

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